{"id":7610,"date":"2026-05-08T16:36:50","date_gmt":"2026-05-08T14:36:50","guid":{"rendered":"https:\/\/great-artmag.com\/?p=7610"},"modified":"2026-05-18T00:24:25","modified_gmt":"2026-05-17T22:24:25","slug":"gaite-lyrique-oscillo","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/gaite-lyrique-oscillo\/","title":{"rendered":"Oscillo \u00e0 la Ga\u00eet\u00e9 Lyrique : immersion entre image et son"},"content":{"rendered":"

La Ga\u00eet\u00e9 Lyrique \u00e0 Paris a accueilli Oscillo<\/em>, le 23 avril 2026, un concert audiovisuel novateur. Co-programm\u00e9 par Franck Vigroux et Futurs Proches, l’\u00e9v\u00e9nement a r\u00e9uni quatre performances exp\u00e9rimentales. Ce live a explor\u00e9 les fronti\u00e8res entre musiques \u00e9lectroniques, art num\u00e9rique et chant lyrique.<\/strong><\/p>\n

Le projet Nacht II<\/em> : un contraste sonore saisissant<\/h3>\n

La soir\u00e9e a d\u00e9but\u00e9 avec Nacht II<\/em>, une \u0153uvre collaborative d’Antoine Schmitt, Franck Vigroux et Lo\u00efc Varanguien de Villepin. Cette performance m\u00e9lange les chants religieux, le hard rock et le m\u00e9tal extr\u00eame. Le groupe utilise la technique vocale du “growl” pour saturer le son de mani\u00e8re organique. Ces voix gutturales dialoguent avec des visuels g\u00e9om\u00e9triques g\u00e9n\u00e9r\u00e9s en temps r\u00e9el. Le spectacle oppose la puret\u00e9 de la Renaissance aux textures \u00e9lectroniques modernes.<\/p>\n

\"\"L’exploration du rythme et de la 4\u00e8me dimension<\/h3>\n

Camilla Pisani a ensuite pr\u00e9sent\u00e9 une prestation m\u00ealant images d’archives et lignes abstraites. Sa musique alterne entre structures percutantes et moments de flottement atmosph\u00e9rique. \u00c0 sa suite, Abul Mogard et Rafael Anton Irisarri ont propos\u00e9 une exp\u00e9rience en “quatre dimensions”. Ce concept int\u00e8gre la temporalit\u00e9 et l’interaction directe avec l’environnement. Irisarri utilise notamment un archet sur sa guitare pour cr\u00e9er des nappes sonores minimalistes et infinies.<\/p>\n

The Inhabitants<\/em> : une cl\u00f4ture dystopique<\/h3>\n

Franck Vigroux a cl\u00f4tur\u00e9 la soir\u00e9e avec son live intitul\u00e9 The Inhabitants<\/em>. Cette \u0153uvre plonge le spectateur dans un univers cauchemardesque peupl\u00e9 de cr\u00e9atures hybrides. Le son des marteaux-piqueurs et des sir\u00e8nes s’accorde aux mouvements saccad\u00e9s \u00e0 l’\u00e9cran. Cette performance s’inspire du court-m\u00e9trage \u00e9ponyme d’Artavazd Pelechian r\u00e9alis\u00e9 en 1970. Vigroux y ajoute une dimension dystopique marquante pour souligner l’urgence et la destruction.<\/p>\n

> En savoir plus sur la programmation Oscillo<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

La Ga\u00eet\u00e9 Lyrique \u00e0 Paris a accueilli Oscillo, le 23 avril 2026, un concert audiovisuel novateur. Co-programm\u00e9 par Franck Vigroux et Futurs Proches, l’\u00e9v\u00e9nement a r\u00e9uni quatre performances exp\u00e9rimentales. Ce live a explor\u00e9 les fronti\u00e8res entre musiques \u00e9lectroniques, art num\u00e9rique et chant lyrique. Le projet Nacht II : un contraste sonore saisissant La soir\u00e9e a […]<\/p>\n","protected":false},"author":10,"featured_media":7611,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1334],"tags":[1416],"class_list":["post-7610","post","type-post","status-publish","format-standard","has-post-thumbnail","category-theatre-spectacles_vivants","tag-chant"],"yoast_head":"\nOscillo \u00e0 la Ga\u00eet\u00e9 Lyrique : immersion entre image et son - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"La Ga\u00eet\u00e9 Lyrique \u00e0 Paris a accueilli Oscillo, le 23 avril 2026, un concert audiovisuel novateur. 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