{"id":7849,"date":"2026-05-08T10:31:21","date_gmt":"2026-05-08T08:31:21","guid":{"rendered":"https:\/\/great-artmag.com\/?p=7849"},"modified":"2026-05-18T18:59:13","modified_gmt":"2026-05-18T16:59:13","slug":"le-futur-meg","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/le-futur-meg\/","title":{"rendered":"Penser le futur au-del\u00e0 des algorithmes au Mus\u00e9e d’Ethnographie de Gen\u00e8ve"},"content":{"rendered":"

Alors que les soci\u00e9t\u00e9s occidentales semblent prisonni\u00e8res d’une omnipr\u00e9sence num\u00e9rique, le Mus\u00e9e d’Ethnographie de Gen\u00e8ve (MEG) inaugure \u00ab Le futur, c\u2019est quoi ? \u00bb. Une exposition qui d\u00e9construit les repr\u00e9sentations du temps. Jusqu’au 10 janvier 2027.<\/strong><\/p>\n

\"\"La fl\u00e8che ou la roue : l’ontologie du temps en question<\/h3>\n

Le futur n’est pas une destination, c’est une construction culturelle. Comme le souligne l’exposition, situer le futur, c’est d’abord se situer soi-m\u00eame face \u00e0 lui. Dans les soci\u00e9t\u00e9s occidentales, le temps est per\u00e7u comme une ligne droite vers un progr\u00e8s technologique infini. Cette vision lin\u00e9aire, h\u00e9rit\u00e9e des Lumi\u00e8res, postule que demain sera \u00ab plus confortable \u00bb qu\u2019hier. Pourtant, le MEG nous invite \u00e0 d\u00e9couvrir d’autres cosmologies. Pour de nombreux peuples, le temps est une roue, un cycle \u00e9ternel de morts et de renaissances calqu\u00e9 sur les saisons. Plus radical encore, certaines cultures renversent notre perspective. Le pass\u00e9 est devant nous car il est connu, tandis que le futur, invisible, se trouve derri\u00e8re notre t\u00eate.<\/p>\n

L\u2019IA et les r\u00e9seaux sociaux : le futur est-il d\u00e9j\u00e0 \u00e9crit ?<\/h3>\n

\u00c0 l’heure des algorithmes pr\u00e9dictifs, la question \u00ab le futur est-il d\u00e9j\u00e0 \u00e9crit ? \u00bb prend une r\u00e9sonance particuli\u00e8re. Si les outils anciens comme le tarot ou l’oracle \u00e0 souris cherchaient \u00e0 \u00ab soutirer des informations \u00bb au destin, l’Intelligence Artificielle semble vouloir le formater. Le travail de Nicolas Nova (1977-2024), anthropologue et co-commissaire de l’exposition, portait pr\u00e9cis\u00e9ment sur ces \u00ab cultures num\u00e9riques \u00bb. Ses recherches soulignaient comment nos imaginaires sont \u00ab d\u00e9battus et format\u00e9s \u00e0 un rythme effr\u00e9n\u00e9 \u00bb par les outils num\u00e9riques. L’exposition met en garde : si nous d\u00e9l\u00e9guons notre capacit\u00e9 d’anticipation aux machines, nous risquons de perdre notre \u00ab pouvoir d’agir \u00bb. Comme le disait Simone Weil en 1936, cit\u00e9e en exergue de l’exposition : \u00ab L’avenir, il ne faut pas l’attendre, il faut le faire \u00bb.<\/p>\n

L’objet comme trace : de l’Omnibot au casque de consentement<\/h3>\n

L’exposition rassemble 200 objets qui servent de ponts entre les \u00e9poques. On y croise un robot des ann\u00e9es 80 mais dont la complexit\u00e9 a conduit \u00e0 l’\u00e9chec. La preuve que \u00ab la technologie ne tient pas toujours ses promesses \u00bb. \u00c0 l’autre extr\u00e9mit\u00e9, des cr\u00e9ations contemporaines n\u00e9es de la collaboration entre artistes et adolescents. Il y a notamment le Casque de Consentement, une installation qui simule une communication avec les animaux pour savoir s’ils acceptent d’\u00eatre consomm\u00e9s. Ou encore le Gilet Climatique, un v\u00eatement imagin\u00e9 pour r\u00e9guler la temp\u00e9rature corporelle face au d\u00e9r\u00e8glement de la biosph\u00e8re. En se lib\u00e9rant de la tyrannie du progr\u00e8s lin\u00e9aire, l’exposition nous invite \u00e0 imaginer un futur \u00ab libre et ouvert \u00e0 tous les possibles \u00bb<\/span><\/span>.<\/span><\/p>\n

Informations pratiques<\/strong>
\n“Le futur, c’est quoi ?”<\/a>, Mus\u00e9e d’Ethnographie de Gen\u00e8ve
\nHoraires Du mardi au dimanche de 11h \u00e0 18
\nGratuit jusqu\u2019\u00e0 25 ans ainsi que chaque 1er dimanche du mois<\/p>\n","protected":false},"excerpt":{"rendered":"

Alors que les soci\u00e9t\u00e9s occidentales semblent prisonni\u00e8res d’une omnipr\u00e9sence num\u00e9rique, le Mus\u00e9e d’Ethnographie de Gen\u00e8ve (MEG) inaugure \u00ab Le futur, c\u2019est quoi ? \u00bb. Une exposition qui d\u00e9construit les repr\u00e9sentations du temps. Jusqu’au 10 janvier 2027. La fl\u00e8che ou la roue : l’ontologie du temps en question Le futur n’est pas une destination, c’est une […]<\/p>\n","protected":false},"author":10,"featured_media":7850,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1468],"tags":[1459],"class_list":["post-7849","post","type-post","status-publish","format-standard","has-post-thumbnail","category-musees","tag-ethnographie"],"yoast_head":"\nPenser le futur au-del\u00e0 des algorithmes au Mus\u00e9e d'Ethnographie de Gen\u00e8ve - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"Une exposition-laboratoire qui d\u00e9construit les repr\u00e9sentations du temps pour r\u00e9-enchanter notre capacit\u00e9 d\u2019agir. 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