{"id":8352,"date":"2026-05-21T11:26:29","date_gmt":"2026-05-21T09:26:29","guid":{"rendered":"https:\/\/great-artmag.com\/?p=8352"},"modified":"2026-05-21T11:32:11","modified_gmt":"2026-05-21T09:32:11","slug":"graphisme-en-france-cnap-2026","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/graphisme-en-france-cnap-2026\/","title":{"rendered":"[\u00c9d. Cnap] Graphisme en France 2026 : quand le livre redevient une exp\u00e9rience"},"content":{"rendered":"

“Graphisme en France n\u00b032 \u2013 Livre(s)” r\u00e9unit les contributions de plusieurs graphistes d’avant-garde. Trois auteurs : Gabriele \u010cepulyt\u0117, Vincent Tuset-Anr\u00e8s et J\u00e9r\u00f4me Knebusch, avec un design graphique confi\u00e9 \u00e0 Sarah Fenrich. Publi\u00e9 par le Cnap en mars 2026, ce 32e num\u00e9ro explore le livre comme objet graphique \u00e0 part enti\u00e8re.<\/strong><\/p>\n

\"\"Qu\u2019est-ce qui fait encore un livre ?<\/h3>\n

\u00c0 travers les recherches de la designeuse Gabriele \u010cepulyt\u0117, le livre d\u00e9passe son simple r\u00f4le de support. Sa fabrication, sa forme et sa mat\u00e9rialit\u00e9 participent \u00e0 son sens. L’\u00e9dition revient notamment sur des formes r\u00e9duites \u00e0 l\u2019essentiel comme A minima<\/em> de Didier Decoux ou le livre blanc, objet paradoxal qui \u00ab nie autant qu\u2019il revendique l\u2019existence du livre \u00bb. \u00c0 une \u00e9poque domin\u00e9e par les \u00e9crans, “Graphisme en France” rappelle que le livre garde une pr\u00e9sence physique forte. Il continue de d\u00e9placer, reclasser et repenser sa propre forme, invitant \u00e0 une forme d’exp\u00e9rience du livre.<\/p>\n

\"\"<\/h3>\n

Le petit format, une grande force \u00e9ditoriale<\/h3>\n

Cette r\u00e9flexion se poursuit avec J\u00e9r\u00f4me Knebusch<\/a> qui revient sur son attachement aux petits formats \u00e9ditoriaux. Entre pamphlets, livres de poche et souvenirs des petits livres jaunes de la collection Reclam, il montre comment des objets modestes peuvent porter une forte identit\u00e9. Derri\u00e8re ces formats r\u00e9duits appara\u00eet une autre mani\u00e8re de penser l\u2019\u00e9dition : \u00e9diter, designer, imprimer et publier deviennent autant d\u2019\u00e9tapes d\u2019exp\u00e9rimentation. Comme le rappelle Roman Seban<\/a> : \u00ab il faut que cela reste un terrain de jeu, et un plaisir \u00bb.<\/p>\n

Un livre \u00e0 lire autant qu\u2019\u00e0 manipuler<\/h3>\n

Directrice artistique de l’\u00e9dition, Sarah Fenrich, dipl\u00f4m\u00e9e en 2023 de l\u2019\u00c9cole europ\u00e9enne sup\u00e9rieure d\u2019art de Bretagne,\u00a0 prolonge cette approche sensible du livre. Couverture ajour\u00e9e, manipulation, texture et attention port\u00e9e \u00e0 l\u2019objet transforment la lecture en exp\u00e9rience physique. Cette id\u00e9e r\u00e9appara\u00eet aussi dans les recherches de Vincent Tuset-Anr\u00e8s sur l\u2019\u00e9dition japonaise. Reliures, papiers sp\u00e9cifiques ou nouveaux usages rappellent qu\u2019on ne vient plus seulement pour acheter un ouvrage, mais aussi pour vivre une exp\u00e9rience autour de lui. Ici, le livre se lit autant qu\u2019il se manipule.<\/p>\n

\"\"<\/a>L’usage cr\u00e9atif de la police Louize<\/h3>\n

Le caract\u00e8re Louize, r\u00e9interpr\u00e9tation contemporaine de l\u2019Augustaux dessin\u00e9 par Matthieu Cortat, s\u2019inscrit dans l\u2019histoire typographique fran\u00e7aise tout en la prolongeant. Son usage permet de construire une page harmonieuse, o\u00f9 le caract\u00e8re Venus+Acier dessin\u00e9 par Jonas A. Renaud intervient avec \u00e9l\u00e9gance comme contrepoint.<\/p>\n

> Commander le livre sur CNAP.fr<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

“Graphisme en France n\u00b032 \u2013 Livre(s)” r\u00e9unit les contributions de plusieurs graphistes d’avant-garde. Trois auteurs : Gabriele \u010cepulyt\u0117, Vincent Tuset-Anr\u00e8s et J\u00e9r\u00f4me Knebusch, avec un design graphique confi\u00e9 \u00e0 Sarah Fenrich. Publi\u00e9 par le Cnap en mars 2026, ce 32e num\u00e9ro explore le livre comme objet graphique \u00e0 part enti\u00e8re. Qu\u2019est-ce qui fait encore un […]<\/p>\n","protected":false},"author":12,"featured_media":8353,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1465],"tags":[1448],"class_list":["post-8352","post","type-post","status-publish","format-standard","has-post-thumbnail","category-designers","tag-graphisme"],"yoast_head":"\n[\u00c9d. 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