{"id":8667,"date":"2026-07-15T15:17:03","date_gmt":"2026-07-15T13:17:03","guid":{"rendered":"https:\/\/great-artmag.com\/?p=8667"},"modified":"2026-08-02T14:50:39","modified_gmt":"2026-08-02T12:50:39","slug":"grasset-odyssee-ono-dit-biot","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/grasset-odyssee-ono-dit-biot\/","title":{"rendered":"[\u00c9d. Grasset] \u00ab L’Odyss\u00e9e de l’Odyss\u00e9e \u00bb de Christophe Ono-Dit-Biot"},"content":{"rendered":"

Plus de deux mill\u00e9naires apr\u00e8s sa composition, le mythe d\u2019Ulysse prouve qu\u2019il n’a rien perdu de sa boussole universelle. En cet \u00e9t\u00e9 2026, l’\u0153uvre d’Hom\u00e8re s’offre un spectaculaire retour au premier plan culturel, port\u00e9e par deux actualit\u00e9s majeures qui font r\u00e9sonner l’Antiquit\u00e9 au pr\u00e9sent. D’une part, la litt\u00e9rature s’en empare avec la parution en avril chez Grasset de L\u2019Odyss\u00e9e de l’Odyss\u00e9e<\/i>. Dans cet ouvrage, Christophe Ono-dit-Biot \u2014 journaliste litt\u00e9raire, romancier passionn\u00e9 d’Antiquit\u00e9 et laur\u00e9at de l’Acad\u00e9mie fran\u00e7aise \u2014 propose une relecture magistrale du chef-d\u2019\u0153uvre originel. En d\u00e9cryptant le voyage d’Ulysse chant par chant, il en r\u00e9v\u00e8le les troublantes r\u00e9sonances avec notre \u00e9poque contemporaine. D’autre part, c’est le 7e art qui s’approprie le mythe avec la sortie en salles, ce 15 juillet, du tr\u00e8s attendu film L’Odyss\u00e9e<\/i> de Xavier Nolan.<\/strong><\/p>\n

\u00ab Vous me direz : Ithaque, c\u2019est loin. Ces Grecs, c\u2019est loin. Peut-\u00eatre. Mais je crois que si ce po\u00e8me a travers\u00e9 les si\u00e8cles, c\u2019est parce que pr\u00e9cis\u00e9ment, Ithaque, c\u2019est un peu chez nous. \u00bb <\/i><\/span>Il suffit de quelques pages pour comprendre ce que cherche Christophe Ono-dit-Biot : rendre Hom\u00e8re \u00e0 la vie contemporaine. Sortir <\/span>L\u2019Odyss\u00e9e<\/span><\/em> des brumes scolaires. Lui redonner sa violence, son d\u00e9sir, sa sensualit\u00e9, sa puissance politique aussi. <\/span>\u00ab Tout ce qui fait une vie humaine est dans l\u2019Odyss\u00e9e \u00bb<\/i><\/span>, \u00e9crit cet amoureux d\u2019Ulysse qui ne signe pas ici un \u00e9ni\u00e8me trait\u00e9 \u00e9rudit sur le po\u00e8me \u00e9pique <\/span>du VIIIe si\u00e8cle avant notre \u00e8re et <\/span>attribu\u00e9 \u00e0 Hom\u00e8re, mais presque un manifeste \u00e0 usage de chacune et chacun d\u2019entre nous.<\/span><\/p>\n

Une travers\u00e9e profond\u00e9ment humaine<\/span><\/h3>\n

Dans <\/span>L\u2019Odyss\u00e9e de l\u2019Odyss\u00e9e<\/span><\/em>, Christophe Ono-dit-Biot reprend les vingt-quatre chants d\u2019Hom\u00e8re. Inutile, donc, d\u2019avoir lu l\u2019\u0153uvre originale pour suivre le r\u00e9cit. L\u2019auteur \u00e9claire le texte par des commentaires, des rapprochements contemporains, <\/span>de <\/span>quelques souvenirs personnels aussi. Sans jamais transformer son propos en le\u00e7on savante. Tout au contraire : les dix ann\u00e9es de l\u2019errance d\u2019Ulysse apr\u00e8s la guerre de Troie \u2014 racont\u00e9e dans <\/span>L\u2019Iliade<\/span><\/em> du m\u00eame Hom\u00e8re <\/span>\u2014 deviennent une travers\u00e9e incarn\u00e9e. La n\u00f4tre. Une aventure humaine faite d\u2019\u00e9preuves, de pi\u00e8ges tendus par le destin, de tentations et de renaissances.<\/span><\/p>\n

Ulysse parmi nous<\/span><\/h3>\n

Agr\u00e9g\u00e9 de lettres classiques, journaliste, romancier, Christophe Ono-dit-Biot fr\u00e9quente Hom\u00e8re depuis l\u2019enfance. Plus pr\u00e9cis\u00e9ment depuis <\/span>Ulysse 31<\/span><\/em>, ce dessin anim\u00e9 futuriste des ann\u00e9es 1980 dont il ne ratait aucun \u00e9pisode. Cette m\u00e9moire populaire donne imm\u00e9diatement le ton : depuis l\u2019Antiquit\u00e9, les \u00e9crits d\u2019Hom\u00e8re irriguent toujours notre monde. Dans les biblioth\u00e8ques, les s\u00e9ries, les guerres modernes, les migrations, les crises intimes : Ulysse demeure partout. Figure du super-h\u00e9ros avant l\u2019heure, mais surtout arch\u00e9type de nos parcours personnels.<\/span><\/p>\n

Le grand m\u00e9rite du livre r\u00e9side dans cette mani\u00e8re de d\u00e9caper les clich\u00e9s. Ulysse appara\u00eet comme chacune et chacun d\u2019entre nous : courageux, trouble, attentif, menteur, strat\u00e8ge, tendre parfois, cruel aussi. Bref, un \u00eatre de contradictions. Un simple mortel aux prises avec les dieux, c\u2019est-\u00e0-dire avec la vie.<\/span><\/p>\n

Circ\u00e9, Calypso, Nausicaa ou P\u00e9n\u00e9lope cessent alors d\u2019\u00eatre des silhouettes fig\u00e9es des manuels scolaires pour entrer dans nos imaginaires. Ainsi des Sir\u00e8nes, dont le chant irr\u00e9sistible apporte \u00e0 ceux qui l\u2019\u00e9coutent la connaissance universelle. Mais \u00ab a-t-on vraiment envie de savoir, gr\u00e2ce \u00e0 des capteurs toujours plus performants (\u2026) la cause et l\u2019heure de notre mort ? (\u2026) Alors parfois, il vaut mieux peut-\u00eatre se boucher les oreilles \u00bb<\/i> \u00e9crit l\u2019auteur. Sir\u00e8nes et algorithmes : m\u00eame vertige.<\/span><\/p>\n

\"\"Le plaisir du passeur<\/span><\/h3>\n

Par ses chapitres courts, Christophe Ono-dit-Biot cr\u00e9e un rythme vif. L\u2019auteur poss\u00e8de un vrai talent de passeur. Son \u00e9rudition reste l\u00e9g\u00e8re, souvent joueuse. Certes, quelques facilit\u00e9s apparaissent parfois dans certaines modernisations du texte et certaines r\u00e9f\u00e9rences contemporaines semblent un peu appuy\u00e9es. Ainsi, P\u00e9n\u00e9lope devient, aux yeux de ses jeunes pr\u00e9tendants du royaume d\u2019Ithaque, compar\u00e9s \u00e0 une jeunesse dor\u00e9e et inactive, une \u00ab MILF \u00bb (Mother I\u2019d like to fuck)\u2026 Le clin d\u2019\u0153il amuse autant qu\u2019il d\u00e9route.<\/span><\/p>\n

Le livre gagne pourtant son pari : transmettre un d\u00e9sir de lecture. Il agit comme une invitation <\/span>s<\/span>inon \u00e0 lire ou relire Hom\u00e8re, du moins \u00e0 tendre l\u2019oreille vers ces voix venues de si loin. Christophe Ono-dit-Biot rappelle ainsi une <\/span>le\u00e7on<\/span> pr\u00e9cieuse : les grands r\u00e9cits restent des r\u00e9serves d\u2019\u00e9nergie pour les temps incertains qui sont les n\u00f4tres.<\/span><\/p>\n

> Commander le livre 23 euros chez Grasset<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Plus de deux mill\u00e9naires apr\u00e8s sa composition, le mythe d\u2019Ulysse prouve qu\u2019il n’a rien perdu de sa boussole universelle. En cet \u00e9t\u00e9 2026, l’\u0153uvre d’Hom\u00e8re s’offre un spectaculaire retour au premier plan culturel, port\u00e9e par deux actualit\u00e9s majeures qui font r\u00e9sonner l’Antiquit\u00e9 au pr\u00e9sent. D’une part, la litt\u00e9rature s’en empare avec la parution en avril […]<\/p>\n","protected":false},"author":5,"featured_media":9509,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1167],"tags":[1491],"class_list":["post-8667","post","type-post","status-publish","format-standard","has-post-thumbnail","category-livre","tag-essai"],"yoast_head":"\nL\u2019Odyss\u00e9e de l\u2019Odyss\u00e9e de Christophe Ono-Dit-Biot<\/title>\n<meta name=\"description\" content=\"Christophe Ono-Dit-Biot relit le chef-d\u2019\u0153uvre d\u2019Hom\u00e8re et r\u00e9v\u00e8le les r\u00e9sonances contemporaines du voyage d\u2019Ulysse dans L\u2019Odyss\u00e9e de l\u2019Odyss\u00e9e.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/grasset-odyssee-ono-dit-biot\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019Odyss\u00e9e de l\u2019Odyss\u00e9e de Christophe Ono-Dit-Biot\" \/>\n<meta property=\"og:description\" content=\"Christophe Ono-Dit-Biot relit le chef-d\u2019\u0153uvre d\u2019Hom\u00e8re et r\u00e9v\u00e8le les r\u00e9sonances contemporaines du voyage d\u2019Ulysse dans L\u2019Odyss\u00e9e de l\u2019Odyss\u00e9e.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/great-artmag.com\/en\/grasset-odyssee-ono-dit-biot\/\" \/>\n<meta property=\"og:site_name\" content=\"GREAT-ARTMAG\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-15T13:17:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-02T12:50:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/05\/odysee-nolan.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1318\" \/>\n\t<meta property=\"og:image:height\" content=\"710\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Aude Seyssel\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Aude Seyssel\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/grasset-odyssee-ono-dit-biot\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/grasset-odyssee-ono-dit-biot\\\/\"},\"author\":{\"name\":\"Aude Seyssel\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#\\\/schema\\\/person\\\/631ff5587ce3a0b7471fab3e51138f54\"},\"headline\":\"[\u00c9d. 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