{"id":8850,"date":"2026-05-26T18:53:08","date_gmt":"2026-05-26T16:53:08","guid":{"rendered":"https:\/\/great-artmag.com\/?p=8850"},"modified":"2026-05-26T19:10:21","modified_gmt":"2026-05-26T17:10:21","slug":"les-tresors-royaux-de-coree-du-sud-exposes-au-musee-guimet","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/les-tresors-royaux-de-coree-du-sud-exposes-au-musee-guimet\/","title":{"rendered":"Les tr\u00e9sors royaux de Cor\u00e9e du Sud expos\u00e9s au Mus\u00e9e Guimet"},"content":{"rendered":"
\n

L\u2019exposition “Silla : l’Or et le Sacr\u00e9” pr\u00e9sent\u00e9e au Mus\u00e9e Guimet introduit un ensemble d\u2019\u0153uvres issu d\u2019une coop\u00e9ration scientifique avec le Mus\u00e9e national de Gyeongju. Les pi\u00e8ces s\u00e9lectionn\u00e9es, qui comprennent des biens class\u00e9s Tr\u00e9sors nationaux par la R\u00e9publique de Cor\u00e9e, permettent d\u2019analyser les dynamiques politiques d\u2019un \u00c9tat qui a structur\u00e9 l’histoire de la p\u00e9ninsule cor\u00e9enne pendant pr\u00e8s d\u2019un mill\u00e9naire. Du 20 mai au 31 ao\u00fbt 2026.<\/strong><\/p>\n

\"\"
Ornement en forme d\u2019aile pour couronne. Cor\u00e9e du
Sud, Gyeongju, tombe de la couronne d\u2019or, 5e si\u00e8cle, or,
Gyeongju, mus\u00e9e national, Bongwan 9435 \u00a9 Mus\u00e9e
national de Gyeongju<\/figcaption><\/figure>\n

Le royaume de Silla (57 av. J.-C. \u2013 935 apr. J.-C.)<\/h3>\n

L’historiographie officielle fixe la fondation du royaume en 57 avant notre \u00e8re sous le nom de Saroguk. Initialement int\u00e9gr\u00e9e \u00e0 la conf\u00e9d\u00e9ration du Jinhan. Il s’agit d’un ensemble de douze micro-\u00c9tats occupant le sud-est de la p\u00e9ninsule. Le territoire s’est d\u00e9velopp\u00e9 \u00e0 partir d’un carrefour de routes commerciales terrestres et maritimes. Au cours de la premi\u00e8re moiti\u00e9 du IVe si\u00e8cle, la centralisation du pouvoir par les clans dominants Bak, Seok et Kim a transform\u00e9 cette conf\u00e9d\u00e9ration en un royaume unifi\u00e9, qui adopte officiellement le nom de Silla au d\u00e9but du VIe si\u00e8cle.<\/p>\n

Le d\u00e9ficit de notori\u00e9t\u00e9 de cette civilisation en France s\u2019explique par des facteurs historiographiques et acad\u00e9miques. Les \u00e9tudes asiatiques fran\u00e7aises se sont structur\u00e9es autour de la sinologie et de la japonologie, rel\u00e9guant la p\u00e9ninsule cor\u00e9enne au rang de zone p\u00e9riph\u00e9rique. De plus, l’acc\u00e8s tardif aux sources arch\u00e9ologiques vernaculaires et la raret\u00e9 des expositions d\u2019envergure hors d\u2019Asie ont contribu\u00e9 \u00e0 maintenir la p\u00e9riode des Trois Royaumes (Silla, Goguryeo et Baekje) en dehors des rep\u00e8res historiques du public occidental.<\/p>\n

\"\"<\/h3>\n

La cit\u00e9 de Gyeongju : un mus\u00e9e \u00e0 ciel ouvert<\/h3>\n

Situ\u00e9e dans le sud-est de la p\u00e9ninsule, la cit\u00e9 de Gyeongju a exerc\u00e9 la fonction de capitale politique et culturelle durant toute la dur\u00e9e du royaume. Inscrit au patrimoine mondial de l\u2019UNESCO depuis l’an 2000, ce territoire combine des structures d\u00e9fensives, des palais, des complexes monastiques et des infrastructures scientifiques, \u00e0 l’image de son observatoire astronomique.<\/p>\n

La topographie de Gyeongju demeure marqu\u00e9e par la pr\u00e9sence de tumulus. Ces structures fun\u00e9raires se caract\u00e9risent par des chambres construites en bois, recouvertes d’une importante stratification de pierres puis de terre. La m\u00e9thode architecturale a pr\u00e9muni les s\u00e9pultures des pillages au fil des si\u00e8cles. Les fouilles syst\u00e9matiques entreprises \u00e0 partir du d\u00e9but du XXe si\u00e8cle ont mis au jour une culture complexe. Avant l’adoption des grandes religions textuelles, la soci\u00e9t\u00e9 de Silla \u00e9tait r\u00e9gie par des structures hi\u00e9rarchiques chamaniques.<\/p>\n

\"\"La m\u00e9tallurgie de l’or et l’orf\u00e8vrerie fun\u00e9raire des tombes royales<\/h3>\n

L’analyse des parures extraites des tumulus, notamment ceux du Ve si\u00e8cle comme la “tombe de la couronne d’or”, met en \u00e9vidence un haut degr\u00e9 de technicit\u00e9 dans le travail des m\u00e9taux pr\u00e9cieux. La couronne phare de l’exposition est assembl\u00e9e \u00e0 partir de feuilles d’or d\u00e9coup\u00e9es, structur\u00e9e par des \u00e9l\u00e9ments verticaux stylis\u00e9s figurant des arbres et des cornes. Ces montants re\u00e7oivent des disques de m\u00e9tal mobiles et des jades incurv\u00e9s fix\u00e9s par des fils d’or, con\u00e7us pour r\u00e9agir cin\u00e9tiquement aux d\u00e9placements.<\/p>\n

La fonction de ces objets d\u00e9passe le cadre de l’apparat curial quotidien. L’analyse contextuelle de leur d\u00e9p\u00f4t indique un usage strictement li\u00e9 aux rites fun\u00e9raires et aux pratiques chamaniques. D\u00e9pos\u00e9e directement sur le visage ou la t\u00eate du d\u00e9funt, la couronne mat\u00e9rialisait son statut politique et son r\u00f4le de m\u00e9diateur spirituel lors de l’inhumation. Les pi\u00e8ces associ\u00e9es, telles que les ornements de couronnes en forme d’ailes en or ajour\u00e9, confirment la sp\u00e9cialisation des ateliers royaux de Gyeongju dans la production d’insignes de pouvoir complexes.<\/p>\n

\"\"L’insertion dans les r\u00e9seaux d’\u00e9changes de l’Ancien Monde<\/h3>\n

L’inventaire du mobilier fun\u00e9raire de Silla d\u00e9montre l’int\u00e9gration de la p\u00e9ninsule dans les circuits d’\u00e9changes \u00e0 longue distance connectant l’Asie de l’Est \u00e0 l’Eurasie. La pr\u00e9sence de r\u00e9cipients en verre romain originaires de Syrie orientale, de poignards orn\u00e9s de grenats et de techniques de cloisonn\u00e9 d’influence steppique atteste de contacts indirects mais continus le long de la Route de la Soie et des voies maritimes. Cette perm\u00e9abilit\u00e9 culturelle se refl\u00e8te \u00e9galement dans la production c\u00e9ramique.<\/p>\n

Le statut g\u00e9opolitique du royaume Silla change de dimension au VIIe si\u00e8cle. Gr\u00e2ce \u00e0 une alliance militaire strat\u00e9gique contract\u00e9e avec la dynastie chinoise des Tang, Silla d\u00e9fait ses rivaux. L’unification politique de la p\u00e9ninsule est rendue possible en 676. Cette p\u00e9riode du Silla unifi\u00e9 (676-935) co\u00efncide avec l’institutionnalisation du bouddhisme, reconnu religion d’\u00c9tat d\u00e8s le d\u00e9but du VIe si\u00e8cle. La transition vers ce nouveau syst\u00e8me de croyances d\u00e9place le centre de gravit\u00e9 de la production artistique de l’espace fun\u00e9raire vers l’espace monastique. L’orf\u00e8vrerie et la statuaire de pierre se concentrent d\u00e8s lors dans les sanctuaires et les pagodes de Gyeongju, marquant l’\u00e9mergence d’un art bouddhique caract\u00e9ris\u00e9 par l’assimilation des mod\u00e8les stylistiques d’Asie centrale et de la Chine des Tang.<\/p>\n

Infos pratiques<\/strong>
\nMus\u00e9e d’arts asiatiques – Mus\u00e9e Guimet<\/a>
\nDates de l\u2019exposition : mercredi 20 mai au lundi 31 ao\u00fbt 2026
\nAdresse : Mus\u00e9e Guimet \u2013 6 place d\u2019I\u00e9na 75116 Paris<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

L\u2019exposition “Silla : l’Or et le Sacr\u00e9” pr\u00e9sent\u00e9e au Mus\u00e9e Guimet introduit un ensemble d\u2019\u0153uvres issu d\u2019une coop\u00e9ration scientifique avec le Mus\u00e9e national de Gyeongju. Les pi\u00e8ces s\u00e9lectionn\u00e9es, qui comprennent des biens class\u00e9s Tr\u00e9sors nationaux par la R\u00e9publique de Cor\u00e9e, permettent d\u2019analyser les dynamiques politiques d\u2019un \u00c9tat qui a structur\u00e9 l’histoire de la p\u00e9ninsule cor\u00e9enne […]<\/p>\n","protected":false},"author":13,"featured_media":8851,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[1291],"class_list":["post-8850","post","type-post","status-publish","format-standard","has-post-thumbnail","category-exposition","tag-soft-power"],"yoast_head":"\nLes tr\u00e9sors royaux de Cor\u00e9e du Sud expos\u00e9s au Mus\u00e9e Guimet - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/les-tresors-royaux-de-coree-du-sud-exposes-au-musee-guimet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les tr\u00e9sors royaux de Cor\u00e9e du Sud expos\u00e9s au Mus\u00e9e Guimet - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"L\u2019exposition “Silla : l’Or et le Sacr\u00e9” pr\u00e9sent\u00e9e au Mus\u00e9e Guimet introduit un ensemble d\u2019\u0153uvres issu d\u2019une coop\u00e9ration scientifique avec le Mus\u00e9e national de Gyeongju. Les pi\u00e8ces s\u00e9lectionn\u00e9es, qui comprennent des biens class\u00e9s Tr\u00e9sors nationaux par la R\u00e9publique de Cor\u00e9e, permettent d\u2019analyser les dynamiques politiques d\u2019un \u00c9tat qui a structur\u00e9 l’histoire de la p\u00e9ninsule cor\u00e9enne […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/great-artmag.com\/en\/les-tresors-royaux-de-coree-du-sud-exposes-au-musee-guimet\/\" \/>\n<meta property=\"og:site_name\" content=\"GREAT-ARTMAG\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-26T16:53:08+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-26T17:10:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/05\/guimet-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1920\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Cynthia Bellanger\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Cynthia Bellanger\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-tresors-royaux-de-coree-du-sud-exposes-au-musee-guimet\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-tresors-royaux-de-coree-du-sud-exposes-au-musee-guimet\\\/\"},\"author\":{\"name\":\"Cynthia Bellanger\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#\\\/schema\\\/person\\\/b0ec9441af102e77087e0c1c4ab36ad1\"},\"headline\":\"Les tr\u00e9sors royaux de Cor\u00e9e du Sud expos\u00e9s au Mus\u00e9e Guimet\",\"datePublished\":\"2026-05-26T16:53:08+00:00\",\"dateModified\":\"2026-05-26T17:10:21+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-tresors-royaux-de-coree-du-sud-exposes-au-musee-guimet\\\/\"},\"wordCount\":1011,\"publisher\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-tresors-royaux-de-coree-du-sud-exposes-au-musee-guimet\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/great-artmag.com\\\/wp-content\\\/uploads\\\/2026\\\/05\\\/guimet-scaled.jpg\",\"keywords\":[\"Soft Power\"],\"articleSection\":[\"EXPOSITIONS\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-tresors-royaux-de-coree-du-sud-exposes-au-musee-guimet\\\/\",\"url\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-tresors-royaux-de-coree-du-sud-exposes-au-musee-guimet\\\/\",\"name\":\"Les tr\u00e9sors royaux de Cor\u00e9e du Sud expos\u00e9s au Mus\u00e9e Guimet - 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