{"id":8868,"date":"2026-05-29T09:00:24","date_gmt":"2026-05-29T07:00:24","guid":{"rendered":"https:\/\/great-artmag.com\/?p=8868"},"modified":"2026-05-29T09:13:21","modified_gmt":"2026-05-29T07:13:21","slug":"20-ans-moulins-lgalleria-continua","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/20-ans-moulins-lgalleria-continua\/","title":{"rendered":"Les 20 ans des Moulins : les secrets de Galleria Continua pour durer"},"content":{"rendered":"

Galleria Continua f\u00eate ses 20 ans d’ancrage aux Moulins de Boissy-le-Ch\u00e2tel (Seine-et-Marne) avec une exposition anniversaire du 31 mai au 20 d\u00e9cembre 2026. Ce jubil\u00e9 met en lumi\u00e8re le concept de continuit\u00e9 inscrit dans le nom m\u00eame de la galerie. En transformant une ancienne papeterie de 30 000 m\u00e8tres carr\u00e9s en un incubateur d’avant-garde, le lieu d\u00e9montre comment une utopie artistique n\u00e9e en pleine campagne s’inscrit durablement sur le territoire.<\/strong><\/p>\n

\"\"
Les trois fondateurs de la Galleria Continua : Lorenzo Fiaschi, Maurizio Rigillo, Mario Cristiani, 2020
Courtesy Nedko Solakov & Galleria Continua<\/figcaption><\/figure>\n

Une utopie n\u00e9e \u00e0 San Gimignano et d\u00e9ploy\u00e9e \u00e0 l’international<\/h3>\n

L’histoire de Galleria Continua commence en 1990 \u00e0 San Gimignano sous l’impulsion de trois amis d’enfance, Mario Cristiani, Lorenzo Fiaschi et Maurizio Rigillo. Fond\u00e9e dans un ancien cin\u00e9ma de cette cit\u00e9 m\u00e9di\u00e9vale italienne, la galerie se d\u00e9veloppe autour de deux valeurs fondamentales que sont la g\u00e9n\u00e9rosit\u00e9 et l’altruisme. D\u00e8s l’origine, la structure exprime un d\u00e9sir profond de nourrir le lien entre le pass\u00e9, le futur et les diff\u00e9rentes g\u00e9ographies. Cette identit\u00e9 forte se forge \u00e0 travers l’investissement syst\u00e9matique de sites oubli\u00e9s et non conventionnels \u00e0 travers le monde. La galerie devient ainsi la premi\u00e8re enseigne \u00e9trang\u00e8re \u00e0 ouvrir en Chine en 2004, avant de s’installer \u00e0 La Havane en 2015 dans un ancien cin\u00e9ma-th\u00e9\u00e2tre, puis \u00e0 Rome au sein de l’h\u00f4tel St. Regis et au Br\u00e9sil dans le complexe sportif Pacaembu en 2020. En France, cette expansion se prolonge en 2021 avec un espace exp\u00e9rimental dans le Marais au c\u0153ur de la capitale, puis en 2024 avec l’inauguration d’une adresse prestigieuse dans le quartier de Matignon.<\/p>\n

\"\"L’enracinement d’un fil rouge temporel en Seine-et-Marne<\/h3>\n

“En investissant cette ancienne usine de papier, le trio de direction ob\u00e9it \u00e0 une impulsion visc\u00e9rale plut\u00f4t qu’\u00e0 un calcul \u00e9conomique rationnel”, explique Giusy Ragosa, directrice de Galleria Continua Paris. En effet, l’ouverture des Moulins en 2006 s’inscrit pleinement dans cette strat\u00e9gie d’occupation de lieux atypiques. Les immenses entrep\u00f4ts industriels r\u00e9habilit\u00e9s t\u00e9moignent de cette volont\u00e9 constante de durer sans jamais renier l’esprit d’ouverture initial. “Les premi\u00e8res expositions ont d\u00e9but\u00e9 avec Lucy et Jorge Orta”, rappelle la charg\u00e9e des publics. Le duo d’artistes engag\u00e9 depuis trente ans sur les questions environnementales disposaient ainsi d’ateliers en pleine nature. Aujourd’hui, aux Moulins, le travail d’une vingtaine de monteurs sur le site et la gratuit\u00e9 totale des espaces perp\u00e9tuent cette philosophie d’un art vivant et accessible \u00e0 tous.<\/p>\n

Le dialogue ininterrompu des ma\u00eetres de l’art contemporain<\/h3>\n

L’exposition anniversaire refuse le pi\u00e8ge de la simple r\u00e9trospective. La convivialit\u00e9 de la galerie se donne \u00e0 voir \u00e0 travers une entr\u00e9e rythm\u00e9e par les pav\u00e9s color\u00e9s de Pascale Marthine Tayou. On le retrouve plus loin avec son mammouth de papier. Le portrait monumental de Silvio par Sislej Xhafa confirme \u00e9galement que les liens tiss\u00e9s aux Moulins s’inscrivent dans un besoin de connaissance et de transmission g\u00e9n\u00e9rationnelle. Pr\u00e9sent depuis les premi\u00e8res heures du lieu, Daniel Buren r\u00e9active sa complicit\u00e9 avec le site \u00e0 travers une nouvelle version de sa structure modulaire, Comme un jeu d’enfant<\/em>.<\/p>\n

\"\"La r\u00e9surgence des mati\u00e8res et des m\u00e9moires industrielles<\/h3>\n

La continuit\u00e9 se manifeste aussi dans la relation physique que les cr\u00e9ateurs entretiennent avec l’ancienne usine. L’artiste cubain Jos\u00e9 Yaque redonne vie \u00e0 la m\u00e9moire ouvri\u00e8re du lieu en \u00e9rigeant une tornade spectaculaire compos\u00e9e enti\u00e8rement de rebuts industriels trouv\u00e9s sur place. Les circonvolutions maritimes de son compatriote Yoan Capote et l’\u0153uvre in\u00e9dite du cin\u00e9aste Abel Ferrara inspir\u00e9e de Friedrich Nietzsche enrichissent ce parcours m\u00e9moriel. Ces propositions contemporaines cohabitent avec les pi\u00e8ces embl\u00e9matiques qui font l’identit\u00e9 des Moulins, \u00e0 l’image du labyrinthe de cartons de Michelangelo Pistoletto, de l’amas d’ustensiles de Subodh Gupta et de la cavit\u00e9 aspirante d’Anish Kapoor.<\/p>\n

Une transmission culturelle ancr\u00e9e vers l’avenir<\/h3>\n

Ce vingti\u00e8me anniversaire rappelle que l’art aux Moulins ne s’arr\u00eate jamais aux portes des espaces d’exposition. Le projet historique \u00ab Sph\u00e8re \u00bb, qui a f\u00e9d\u00e9r\u00e9 une centaine de galeries internationales durant dix ans, trouve aujourd’hui son prolongement naturel dans les actions de m\u00e9diation quotidiennes men\u00e9es sur le territoire. \u00c0 travers le programme ContinuActions, la galerie transforme l’exp\u00e9rience esth\u00e9tique en un apprentissage concret destin\u00e9 aux scolaires et aux communaut\u00e9s locales. Giusy Ragosa conclut la visite : “En faisant de l’art contemporain un vecteur d’\u00e9change social, les fondateurs valident leur promesse de tracer un trait d’union entre la cr\u00e9ation et le public.”<\/p>\n

> Infos pratiques Les Moulins<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Galleria Continua f\u00eate ses 20 ans d’ancrage aux Moulins de Boissy-le-Ch\u00e2tel (Seine-et-Marne) avec une exposition anniversaire du 31 mai au 20 d\u00e9cembre 2026. Ce jubil\u00e9 met en lumi\u00e8re le concept de continuit\u00e9 inscrit dans le nom m\u00eame de la galerie. En transformant une ancienne papeterie de 30 000 m\u00e8tres carr\u00e9s en un incubateur d’avant-garde, le […]<\/p>\n","protected":false},"author":1,"featured_media":8872,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[1437],"class_list":["post-8868","post","type-post","status-publish","format-standard","has-post-thumbnail","category-exposition","tag-art-contemporain"],"yoast_head":"\nLes 20 ans des Moulins : les secrets de Galleria Continua pour durer - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/20-ans-moulins-lgalleria-continua\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Les 20 ans des Moulins : les secrets de Galleria Continua pour durer - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"Galleria Continua f\u00eate ses 20 ans d’ancrage aux Moulins de Boissy-le-Ch\u00e2tel (Seine-et-Marne) avec une exposition anniversaire du 31 mai au 20 d\u00e9cembre 2026. 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