{"id":8982,"date":"2026-06-07T18:46:07","date_gmt":"2026-06-07T16:46:07","guid":{"rendered":"https:\/\/great-artmag.com\/?p=8982"},"modified":"2026-06-07T19:09:58","modified_gmt":"2026-06-07T17:09:58","slug":"epopee-musee-cernuschi","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/epopee-musee-cernuschi\/","title":{"rendered":"L\u2019\u00e9pop\u00e9e d\u2019Henri Cernuschi : un temple de l’Asie au Parc Monceau"},"content":{"rendered":"

L’association Histoire et Patrimoine Paris 17e<\/em> conviait \u00e0 une visite cont\u00e9e captivante, samedi 6 juin. Sous la houlette de son pr\u00e9sident, Patrick Rollot, les participants \u00e0 la visite sur \u00ab l\u2019histoire des familles de l\u2019est du Parc Monceau \u00bb ont pu red\u00e9couvrir notamment la trajectoire hors du commun d’Henri Cernuschi. Cet homme fut un visionnaire, capable de convertir un succ\u00e8s financier en un legs culturel imp\u00e9rissable pour la Ville de Paris.<\/strong><\/p>\n

\"\"L’or du Second Empire et le prix des convictions (1848-1870)<\/h3>\n

L’histoire d’Henri Cernuschi commence sous le signe d’une rupture. N\u00e9 \u00e0 Milan en 1821 et pr\u00e9cocement orphelin, il s’engage dans les luttes politiques italiennes avant de choisir Paris comme terre d’asile vers 1848. C’est l\u00e0, au c\u0153ur du Second Empire, que ce R\u00e9publicain convaincu va b\u00e2tir sa fortune. Il s’ins\u00e8re avec brio dans les cercles de la haute finance en rejoignant le Cr\u00e9dit Immobilier des fr\u00e8res Pereire, la machine bancaire qui finance les grands travaux industriels. Les Pereire sont \u00e0 l’origine des transformations urbaines de Napol\u00e9on III. Cernuschi excelle, accumule les capitaux, mais ne transige pas avec ses id\u00e9es. Ses opinions r\u00e9publicaines affich\u00e9es finissent par le rendre incompatible avec le r\u00e9gime imp\u00e9rial. Il est expuls\u00e9 de France. L’homme ne retrouve le sol parisien qu’en 1870, \u00e0 la chute de l’Empire. Fid\u00e8le \u00e0 ses engagements, il r\u00e9investit une part de sa fortune dans le paysage m\u00e9diatique en devenant l’actionnaire principal du journal r\u00e9publicain Le Si\u00e8cle<\/em>.<\/p>\n

\"\"<\/h3>\n

Le grand pivot : l’odyss\u00e9e asiatique (1871-1873)<\/h3>\n

En septembre 1871, au lendemain des traumatismes de la guerre franco-prussienne et de la Commune, Henri Cernuschi d\u00e9cide de prendre le large. Il s’embarque pour un tour du monde d’un an et demi qui va radicalement changer le cours de son existence. Ce voyage \u00e0 travers le Japon, la Chine, la Mongolie et l’Indon\u00e9sie se mue rapidement en une v\u00e9ritable mission de collecte syst\u00e9matique. Cernuschi n’ach\u00e8te pas en amateur, il accumule \u00e0 grande \u00e9chelle. C’est ainsi qu’il rapporte en Europe un tr\u00e9sor de pr\u00e8s de 5 000 objets d’art, avec une pr\u00e9dilection marqu\u00e9e pour les bronzes japonais et chinois. \u00c0 cette \u00e9poque, une telle collection est totalement in\u00e9dite sur le continent. C’est ce tr\u00e9sor de guerre culturel qui va fonder son grand projet de post\u00e9rit\u00e9.<\/p>\n

\"\"L’avenue V\u00e9lasquez : un \u00e9crin pens\u00e9 pour le public (1873-1896)<\/h3>\n

De retour \u00e0 Paris, la strat\u00e9gie de Cernuschi entre dans sa seconde phase : transformer son capital financier en post\u00e9rit\u00e9 culturelle. Rien n’est laiss\u00e9 au hasard. Entre 1873 et 1875, il confie \u00e0 l’architecte William Bouwens van der Boijen (1834-1907) la construction d’un h\u00f4tel particulier situ\u00e9 au 7 avenue V\u00e9lasquez, en lisi\u00e8re du parc Monceau. “Ce b\u00e2timent est con\u00e7u d’embl\u00e9e comme un futur mus\u00e9e”, explique Patrick Rollot. Tout y est configur\u00e9 pour mettre en valeur les pi\u00e8ces rapport\u00e9es d’Asie. La pi\u00e8ce ma\u00eetresse de la demeure reste son immense salle centrale, b\u00e2tie express\u00e9ment pour accueillir une pi\u00e8ce monumentale : le Bouddha g\u00e9ant de Meguro, une sculpture japonaise en bronze de plus de 4 m\u00e8tres de haut.<\/p>\n

Gustave Moreau, Emile Zola, sont des habitu\u00e9s<\/h3>\n

Comme l’a rappel\u00e9 Patrick Rollot lors de son r\u00e9cit, les t\u00e9moignages de l’\u00e9poque d\u00e9crivent une atmosph\u00e8re particuli\u00e8re. Chez Cernuschi, la fonction mus\u00e9ale \u00e9crase totalement la vie intime. “Les invit\u00e9s confient souvent s’y sentir comme dans un lieu public tant les \u0153uvres s’approprient l’espace.” La collection se visite sur rendez-vous, d\u00e8s 1875. Et le ma\u00eetre des lieux sert volontiers de guide. Cela n’emp\u00eachait pas Cernuschi d’y donner des f\u00eates m\u00e9morables. C’est ici m\u00eame que se tint le tout premier bal costum\u00e9 parisien \u00e9clair\u00e9 \u00e0 l’\u00e9lectricit\u00e9. Une innovation spectaculaire qui, sous sa lumi\u00e8re blanche et crue, r\u00e9v\u00e9lait, au grand dam de certains convives, les visages et les maquillages d’une mani\u00e8re impitoyable !<\/p>\n

\"\"Un h\u00e9ritage p\u00e9renne pour les Parisiens<\/h3>\n

Henri Cernuschi s’\u00e9teint en mai 1896. Homme de conviction jusqu’au bout, il avait orchestr\u00e9 sa post\u00e9rit\u00e9 d\u00e8s 1882 en l\u00e9guant par testament son h\u00f4tel particulier et l’int\u00e9gralit\u00e9 de ses collections \u00e0 la Ville de Paris. Inaugur\u00e9 en 1898, le Mus\u00e9e Cernuschi demeure aujourd’hui le phare des arts de l’Asie de la capitale. En respectant l’esprit d’ouverture de son fondateur, l’acc\u00e8s \u00e0 ses collections permanentes reste enti\u00e8rement gratuit. Une ultime victoire pour cet exil\u00e9 milanais qui aura su offrir \u00e0 sa patrie d’adoption l’un de ses plus beaux joyaux culturels<\/p>\n

> Mus\u00e9e Cernuschi<\/a><\/p>\n

Un grand merci \u00e0 Patrick Rollot et \u00e0 l’association Histoire et Patrimoine Paris 17e<\/a>, membre de la f\u00e9d\u00e9ration Paris Histoire & Patrimoine – https:\/\/paris-histoirepatrimoine.org<\/a> pour ce voyage dans le temps. De nombreuses visites guid\u00e9es et conf\u00e9rences sont organis\u00e9es tout au long de l’ann\u00e9e, rejoignez l’association !<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

L’association Histoire et Patrimoine Paris 17e conviait \u00e0 une visite cont\u00e9e captivante, samedi 6 juin. Sous la houlette de son pr\u00e9sident, Patrick Rollot, les participants \u00e0 la visite sur \u00ab l\u2019histoire des familles de l\u2019est du Parc Monceau \u00bb ont pu red\u00e9couvrir notamment la trajectoire hors du commun d’Henri Cernuschi. Cet homme fut un visionnaire, […]<\/p>\n","protected":false},"author":1,"featured_media":8983,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1468],"tags":[1176],"class_list":["post-8982","post","type-post","status-publish","format-standard","has-post-thumbnail","category-musees","tag-collection"],"yoast_head":"\nL\u2019\u00e9pop\u00e9e d\u2019Henri Cernuschi : un temple de l'Asie au Parc Monceau - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"La visite sur \u00ab l\u2019histoire des familles de l\u2019est du Parc Monceau \u00bb ont pu red\u00e9couvrir la trajectoire hors du commun d'Henri Cernuschi.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/epopee-musee-cernuschi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"L\u2019\u00e9pop\u00e9e d\u2019Henri Cernuschi : un temple de l'Asie au Parc Monceau - 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