{"id":9119,"date":"2026-06-13T12:59:16","date_gmt":"2026-06-13T10:59:16","guid":{"rendered":"https:\/\/great-artmag.com\/?p=9119"},"modified":"2026-06-13T16:02:25","modified_gmt":"2026-06-13T14:02:25","slug":"martial-raysse-vallauris","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/martial-raysse-vallauris\/","title":{"rendered":"Martial Raysse : un th\u00e9\u00e2tre d\u2019art et de malice \u00e0 Vallauris"},"content":{"rendered":"

\u00c0 90 ans, Martial Raysse, l’ic\u00f4ne du Nouveau R\u00e9alisme \u00e9gaye le Mus\u00e9e Magnelli, mus\u00e9e de la c\u00e9ramique de Vallauris. Entre sculptures fac\u00e9tieuses et pied-de-nez aux conventions, le ma\u00eetre livre une le\u00e7on de po\u00e9sie absolue. Intitul\u00e9e “D’une fl\u00e8che mon c\u0153ur perc\u00e9 – Statues de Martial Raysse”, l’exposition se tient jusqu’au 28 septembre 2026.<\/b><\/p>\n

\"SculptureLe saviez-vous ?<\/b> Martial Raysse joue aujourd’hui \u00e0 domicile. L’artiste est en effet un enfant du pays. Fils d’artisans c\u00e9ramistes de Vallauris, il revient l\u00e0 o\u00f9 tout a commenc\u00e9. Cette exposition au Mus\u00e9e Magnelli, mus\u00e9e de la c\u00e9ramique, r\u00e9sonne comme un retour aux sources. La ville qui l’a vu na\u00eetre c\u00e9l\u00e8bre ainsi l’auteur de l’embl\u00e9matique Soudain l’\u00e9t\u00e9 dernier<\/a> (<\/i>1963), mais qui n’a jamais perdu son \u00e2me d’artisan de l’hybridation des mat\u00e9riaux.<\/p>\n

Lors d’une visite comment\u00e9e ce 12 juin, la commissaire de l’exposition, C\u00e9line Graziani, a tent\u00e9 de d\u00e9coder le myst\u00e8re Martial Raysse. Elle a rappel\u00e9 la nature pluridisciplinaire de son travail. \u00ab La po\u00e9sie demeure le fondement de sa cr\u00e9ation, enrichissant ses \u0153uvres visuelles d\u2019une dimension litt\u00e9raire \u00bb, a-t-elle expliqu\u00e9 avec tout le s\u00e9rieux requis. La r\u00e9ponse du maestro de 90 ans ne s’est pas fait attendre. Toujours adepte du contre-pied et d’une modestie toute relative, l’artiste a imm\u00e9diatement compl\u00e9t\u00e9 la th\u00e9orie : \u00ab Dans la po\u00e9sie, il y a Ronsard et Mallarm\u00e9, je suis le troisi\u00e8me. \u00bb Voil\u00e0 qui a le m\u00e9rite d’\u00eatre clair. Le message est pass\u00e9 avec le sourire, mais le panth\u00e9on personnel de Raysse affiche d\u00e9sormais complet.<\/p>\n

\"Portrait
Portrait de Martial Raysse \u00e0 c\u00f4t\u00e9 de Arraches-toi !<\/i>\u00a0– 2026<\/figcaption><\/figure>\n

L’hybridation joyeuse contre le s\u00e9rieux des mythes<\/h3>\n

“Il suffit d’un ajout, un objet, une couleur, et soudain la statue prend sens”, t\u00e9moigne Martial Raysse devant la sculpture en bronze intitul\u00e9e Arraches-toi ! (2016). <\/i>Ici, l’artiste revisite la figure mythologique du faune. Cette cr\u00e9ature hybride se confronte \u00e0 une expression contemporaine. Ses jambes se m\u00ealent \u00e0 une mati\u00e8re v\u00e9g\u00e9tale, entre enracinement et lib\u00e9ration. Le titre claque comme une injonction famili\u00e8re de la rue. Un objet cylindrique \u00e0 l’apparence industrielle et que l’on imagine lourd accentue ce d\u00e9calage. Martial Raysse fait coexister l’h\u00e9ritage antique et le langage actuel avec une l\u00e9g\u00e8ret\u00e9 d\u00e9sarmante. Le mouvement chor\u00e9graphique de la sculpture, cr\u00e9e un dynamisme qui ancre la pi\u00e8ce dans la modernit\u00e9, malgr\u00e9 une potentielle lecture classique de la repr\u00e9sentation. La modernit\u00e9 ne d\u00e9coule pas seulement de l’objet ajout\u00e9, mais intrins\u00e8quement du traitement de la mati\u00e8re elle-m\u00eame, qui recouvre et transforme la figure.<\/p>\n

\"\"
Seuls au monde (2018) – Martial Raysse<\/figcaption><\/figure>\n

L’illusion collective et la solitude humaine<\/h2>\n

Martial Raysse excelle dans l’art du contre-pied. Son \u0153uvre de 2018, Seuls au monde<\/i>, dessine une foule compacte. Les corps en papier et pierre noire se serrent \u00e9troitement. Une pancarte proclame un “NOUS” solidaire. Pourtant, le titre contredit imm\u00e9diatement cette apparente unit\u00e9. Malgr\u00e9 la proximit\u00e9 physique, chaque personnage demeure enferm\u00e9 dans sa propre bulle. Cela renvoie aussi \u00e0 un th\u00e8me d’actualit\u00e9 : l’enfermement num\u00e9rique<\/a>. Martial Raysse interroge le lien social avec une ironie mordante. Sa technique bidimensionnelle donne une seule \u00e9paisseur aux corps, tout en r\u00e9ussissant \u00e0 saturer l’espace et \u00e0 donner l’impression de volume.<\/p>\n

\"Martial
Un th\u00e9\u00e2tre ad vitam (2009) – Martial Raysse<\/figcaption><\/figure>\n

L’art du dialogue et de la mise en abyme<\/h3>\n

“Dans ma vie, il y a toujours eu la peinture \u00e0 c\u00f4t\u00e9 de la sculpture, ou la sculpture \u00e0 c\u00f4t\u00e9 de la peinture, c’est comme la main droite et la main gauche”, explique l’artiste. Dans son \u0153uvre Un th\u00e9\u00e2tre ad vitam (2009), <\/em>la peinture et la sculpture fusionnent, participent \u00e0 une mise en sc\u00e8ne totale. Un jeune homme sculpt\u00e9 contemple une toile habit\u00e9e par trois personnages \u00e9nigmatiques. Ce face-\u00e0-face engendre un jeu de miroirs. La statue regarde la peinture qui, en retour, scrute la sculpture. L’artiste instaure ainsi une tension subtile entre l’innocence du spectateur et le voyeurisme de la sc\u00e8ne.<\/p>\n

L’importance de la couleur s’impose imm\u00e9diatement au regard. L’usage du violet dans cet ensemble frappe les esprits. Face aux liens chromatiques entre ses personnages, l’artiste ne cache pas son \u00e9motion. Le violet d’une chaussure r\u00e9pond ainsi subtilement \u00e0 celui de la robe d’une autre figure. Des motifs vestimentaires aux proportions changeantes entre les figures et le paysage dans une parfaite corresponcance.<\/p>\n

\"Portrait
Portrait de C\u00e9line Graziani, directrice du Mus\u00e9e Magnelli, mus\u00e9e de la c\u00e9ramique de Vallauris<\/figcaption><\/figure>\n

L’apoth\u00e9ose d’un parcours sans fronti\u00e8res<\/h3>\n

Le regard de Martial Raysse sur les femmes s’exprime \u00e0 travers des r\u00e9f\u00e9rences mythologiques puissantes, de Suzanne \u00e0 Act\u00e9on(e). Cette libert\u00e9 th\u00e9matique s’appuie sur une hybridation constante des mat\u00e9riaux. Le bronze, le plastique, le pl\u00e2tre et le bois se m\u00ealent dans un joyeux d\u00e9sordre organis\u00e9. L’apoth\u00e9ose finale d’\u00ab Un th\u00e9\u00e2tre ad vitam<\/em> \u00bb illustre la conviction centrale de ce cr\u00e9ateur insatiable. Pour lui, la peinture et la sculpture ne sont pas s\u00e9par\u00e9es. Ce sont deux pratiques s\u0153urs, indissociables de son identit\u00e9 artistique depuis plus de quarante ans.<\/p>\n

Martial Raysse se confie : “Au d\u00e9but, comme beaucoup de jeunes artistes, j’ai cherch\u00e9 \u00e0 me r\u00e9volter contre mes pr\u00e9d\u00e9cesseurs pour cr\u00e9er du nouveau. Avec le temps, j’ai travaill\u00e9 la technique et le savoir-faire des ma\u00eetres anciens. Je me place d\u00e9sormais volontairement dans une \u00ab stricte ob\u00e9dience \u00bb \u00e0 leur \u00e9gard. Autour de cette notion s’articule toute ma d\u00e9marche actuelle.” \u00c0 90 ans, Martial Raysse prouve que son esprit cr\u00e9ateur n’a pas pris une ride.<\/p>\n

Infos pratiques<\/strong>
\n> Exposition “D’une fl\u00e8che mon coeur perc\u00e9 – Statues de Martial Raysse” \u00e0 Vallauris<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c0 90 ans, Martial Raysse, l’ic\u00f4ne du Nouveau R\u00e9alisme \u00e9gaye le Mus\u00e9e Magnelli, mus\u00e9e de la c\u00e9ramique de Vallauris. Entre sculptures fac\u00e9tieuses et pied-de-nez aux conventions, le ma\u00eetre livre une le\u00e7on de po\u00e9sie absolue. Intitul\u00e9e “D’une fl\u00e8che mon c\u0153ur perc\u00e9 – Statues de Martial Raysse”, l’exposition se tient jusqu’au 28 septembre 2026. Le saviez-vous ? […]<\/p>\n","protected":false},"author":1,"featured_media":9120,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[1437],"class_list":["post-9119","post","type-post","status-publish","format-standard","has-post-thumbnail","category-exposition","tag-art-contemporain"],"yoast_head":"\nMartial Raysse : un th\u00e9\u00e2tre d\u2019art et de malice \u00e0 Vallauris - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"Intitul\u00e9e "D'une fl\u00e8che mon c\u0153ur perc\u00e9 - Statues de Martial Raysse", l'exposition se tient \u00e0 Vallauris jusqu'au 28 septembre 2026.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/martial-raysse-vallauris\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Martial Raysse : un th\u00e9\u00e2tre d\u2019art et de malice \u00e0 Vallauris - 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