{"id":9241,"date":"2026-06-19T10:57:39","date_gmt":"2026-06-19T08:57:39","guid":{"rendered":"https:\/\/great-artmag.com\/?p=9241"},"modified":"2026-06-19T11:35:51","modified_gmt":"2026-06-19T09:35:51","slug":"ed-paulsen-ben-montgomery","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/ed-paulsen-ben-montgomery\/","title":{"rendered":"[\u00c9d. Paulsen] \u00ab La meilleure fa\u00e7on de marcher \u00bb de Ben Montgomery"},"content":{"rendered":"

\u00ab Elle se fond dans la nature, plante un champ de souvenirs, explore le monde ext\u00e9rieur et sa vie int\u00e9rieure. \u00bb<\/i> Sous le couvert d\u2019une chronique de l\u2019exploit, le journaliste am\u00e9ricain Ben Montgomery consigne le r\u00e9cit vrai d\u2019une d\u00e9livrance. Celle d\u2019Emma Gatewood qui, en 1955, \u00e0 l\u2019\u00e2ge de 67 ans, s\u2019est lanc\u00e9e dans une entreprise insens\u00e9e : parcourir en solitaire l\u2019int\u00e9gralit\u00e9 du sentier des Appalaches \u00e0 l\u2019Est des \u00c9tats-Unis, l\u2019un des plus longs et des plus exigeants du monde. Soit 3 500 kilom\u00e8tres faits de d\u00e9clivit\u00e9s, de for\u00eats s\u00e9culaires, de sommets \u00e0 pic et de d\u00e9serts inhospitaliers. Le tout, sans entra\u00eenement, ni \u00e9quipement.<\/strong><\/p>\n

Son modeste baluchon cousu main contient \u00e0 peine un rideau de douche en guise d\u2019imperm\u00e9able et une fine couverture. Pourtant, ce p\u00e9riple sera un succ\u00e8s entr\u00e9 dans la l\u00e9gende am\u00e9ricaine ! Emma Gatewood, connue d\u00e9sormais sous le nom de \u00ab Grandma Gatewood \u00bb, est devenue la premi\u00e8re \u00ab thru-hiker \u00bb, premi\u00e8re femme \u00e0 parcourir ces milliers de kilom\u00e8tres d\u2019une seule traite, ouvrant la voie \u00e0 des g\u00e9n\u00e9rations de randonneurs au long cours qui lui rendent d\u00e9sormais hommage chaque ann\u00e9e en suivant son itin\u00e9raire.<\/p>\n

\"\u00ab<\/a>
\u00ab La meilleure fa\u00e7on de marcher. Dans les pas de Grandma Gatewood, 67 ans, 11 enfants, 3600 km \u00bb Ed. Paulsen<\/figcaption><\/figure>\n

Il y aurait cependant un contresens \u00e0 ranger La meilleure fa\u00e7on de marcher<\/i> de Ben Montgomery (\u00c9ditions Paulsen<\/a>) au rayon de la litt\u00e9rature de plein air. Ce texte, construit \u00e0 partir du carnet de bord d\u2019Emma Gatewood, de t\u00e9moignages et d\u2019archives, ne documente pas une performance sportive hors du commun : il consigne la gu\u00e9rison d\u2019un traumatisme par la dissolution dans l\u2019espace. Car si cette m\u00e8re de 11 enfants, de 23 petits-enfants et de 30 arri\u00e8res-petits-enfants, quitte sa ferme de l\u2019Ohio un bon matin sans pr\u00e9venir quiconque apr\u00e8s avoir lu un article du National Geographic<\/i>, son objectif n\u2019est pas simplement d\u2019arpenter le sentier des Appalaches. Elle d\u00e9serte, pour retrouver la vie. \u00ab\u00a0En partant, elle leur [ses enfants] avait juste dit qu\u2019elle allait faire un tour. Ils vont enfin comprendre ce qu\u2019elle voulait dire par l\u00e0\u00a0<\/i>\u00bb, \u00e9crit Ben Montgomry.<\/p>\n

Sans carte, sans sac de couchage ni r\u00e9chaud, chauss\u00e9e de baskets de toile bon march\u00e9, se nourrissant de baies et de carr\u00e9s de bouillon cube, couchant dans l\u2019herbe froide ou qu\u00e9mandant l\u2019hospitalit\u00e9 des riverains, Emma Gatewood oppose un minimalisme subversif au r\u00eave de confort mat\u00e9rialiste de l’Am\u00e9rique triomphante des fifties<\/i>. Ben Montgomery excelle \u00e0 sonder les soubassements de cette marche forc\u00e9e. Ce corps, us\u00e9 par les grossesses, a \u00e9t\u00e9 ab\u00eem\u00e9 par les travaux de la ferme. Surtout, il a \u00e9t\u00e9 d\u00e9truit par des d\u00e9cennies de violences conjugales inou\u00efes, ignor\u00e9es par une justice patriarcale. Emma Gatewood ne cherche pas le grand frisson, elle cherche l\u2019amn\u00e9sie. La marche s’impose ici comme une chirurgie r\u00e9paratrice. Chaque mile parcouru cicatrise les plaies, efface les injonctions domestiques, restitue libert\u00e9 et identit\u00e9. En escaladant les falaises, Emma Gatewood comprend que la duret\u00e9 de la roche et l’indiff\u00e9rence des \u00e9l\u00e9ments sont plus hospitali\u00e8res que le foyer conjugal et, plus globalement, que le statut assign\u00e9 aux femmes dans cette Am\u00e9rique encore profond\u00e9ment machiste. Loin d\u2019un Nature Writing<\/i> acad\u00e9mique, Ben Montgomery d\u00e9crit une \u00e9cologie de la survie.<\/p>\n

Pour mesurer la singularit\u00e9 de ce texte, il faut le confronter \u00e0 un autre jalon de la litt\u00e9rature centr\u00e9 sur le mythique sentier des Appalaches : Promenons-nous dans les bois<\/i> (1998) de l\u2019Am\u00e9ricain Bill Bryson. L\u00e0 o\u00f9 ce dernier aborde le sentier \u00e0 travers le prisme de l\u2019ironie citadine et d\u2019un aveu d\u2019impuissance face \u00e0 l\u2019immensit\u00e9 sauvage, Ben Montgomery trace une trajectoire inverse : pour Emma Gatewood, la marche rel\u00e8ve d\u2019une n\u00e9cessit\u00e9 vitale. Le sentier ne lui r\u00e9apprend pas l’humilit\u00e9, il lui redonne sa souverainet\u00e9. La transformation est ontologique. L\u2019indiff\u00e9rence souveraine de la for\u00eat, que Bill Bryson feint de redouter pour amuser le lecteur, est pr\u00e9cis\u00e9ment ce qui gu\u00e9rit Emma Gatewood. Le contraste est saisissant : si Bill Bryson \u00e9crit pour raconter l\u2019inadaptation de l\u2019humain contemporain aux \u00e9l\u00e9ments, Ben Montgomery observe une femme qui s’adapte \u00e0 la nature pour d\u00e9sapprendre la violence des hommes.<\/p>\n

Parvenue au bout de son chemin apr\u00e8s plus de cinq mois de marche, Emma Gatewood, devenue c\u00e9l\u00e8bre et salu\u00e9e par la presse nationale et internationale, refusera pourtant de se laisser enfermer dans le statut de curiosit\u00e9 m\u00e9diatique ou de ph\u00e9nom\u00e8ne de foire : elle opposera au bruit du monde la m\u00eame humilit\u00e9 fi\u00e8re qui l\u2019avait guid\u00e9e sur le sentier. Nullement militante, elle rappelait simplement qu’elle avait march\u00e9 parce qu’elle en avait envie, et que la nature lui avait offert ce qu’aucun homme n’avait pu lui donner : la paix. En d\u00e9finitive, l’enqu\u00eate de Ben Montgomery nous rappelle que la v\u00e9ritable aventure n’est pas toujours l\u00e0 o\u00f9 la mesurent les podom\u00e8tres. En choisissant d’\u00e9puiser l’horizon, \u00ab Grandma Gatewood \u00bb a, certes, conquis une cha\u00eene de montagnes. Elle a surtout exp\u00e9riment\u00e9 une forme d’art brut de l’existence, prouvant que le d\u00e9nuement mat\u00e9riel absolu et la d\u00e9termination peuvent \u00eatre de puissants vecteurs de r\u00e9appropriation de soi.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab Elle se fond dans la nature, plante un champ de souvenirs, explore le monde ext\u00e9rieur et sa vie int\u00e9rieure. \u00bb Sous le couvert d\u2019une chronique de l\u2019exploit, le journaliste am\u00e9ricain Ben Montgomery consigne le r\u00e9cit vrai d\u2019une d\u00e9livrance. Celle d\u2019Emma Gatewood qui, en 1955, \u00e0 l\u2019\u00e2ge de 67 ans, s\u2019est lanc\u00e9e dans une entreprise […]<\/p>\n","protected":false},"author":5,"featured_media":9243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1167],"tags":[1490],"class_list":["post-9241","post","type-post","status-publish","format-standard","has-post-thumbnail","category-livre","tag-recit"],"yoast_head":"\n[\u00c9d. 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