{"id":9248,"date":"2026-06-19T13:02:01","date_gmt":"2026-06-19T11:02:01","guid":{"rendered":"https:\/\/great-artmag.com\/?p=9248"},"modified":"2026-06-19T13:40:07","modified_gmt":"2026-06-19T11:40:07","slug":"art-urbain-petit-palais","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/art-urbain-petit-palais\/","title":{"rendered":"Petit Palais : 75 cr\u00e9ateurs d&#8217;art urbain d\u00e9fient les ma\u00eetres"},"content":{"rendered":"<p><strong>Le Petit Palais cr\u00e9e l&#8217;\u00e9v\u00e9nement cet \u00e9t\u00e9 \u00e0 Paris. Le mus\u00e9e des Beaux-Arts pr\u00e9sente l\u2019exposition gratuite \u00ab WE ARE [still] HERE \u00bb. Plus de 200 \u0153uvres d\u2019art urbain investissent les espaces. Un parcours \u00e9clectique attend les visiteurs jusqu\u2019au 20 septembre 2026.<\/strong><\/p>\n<figure id=\"attachment_9249\" aria-describedby=\"caption-attachment-9249\" style=\"width: 848px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\"size-full wp-image-9249\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/Alfred-Roll.png\" alt=\"Alfreed Roll, &quot;Portrait d'Adolphe Alphand&quot; (1888)\" width=\"848\" height=\"1010\" srcset=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/Alfred-Roll.png 848w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/Alfred-Roll-252x300.png 252w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/Alfred-Roll-768x915.png 768w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/Alfred-Roll-353x420.png 353w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/Alfred-Roll-696x829.png 696w\" sizes=\"(max-width: 848px) 100vw, 848px\" \/><figcaption id=\"caption-attachment-9249\" class=\"wp-caption-text\">Alfreed Roll, &#8220;Portrait d&#8217;Adolphe Alphand&#8221; (1888)<\/figcaption><\/figure>\n<h3 data-path-to-node=\"7\">Un dialogue entre graffitis, street art et \u0153uvres classiques<\/h3>\n<p id=\"p-rc_902674c571af3730-48\" data-path-to-node=\"8\"><span data-path-to-node=\"8,0\">L\u2019exercice de faire dialoguer \u0153uvres anciennes et art contemporain est toujours int\u00e9ressant<\/span><span data-path-to-node=\"8,2\">. <\/span><span data-path-to-node=\"8,4\">On imagine par exemple le portrait d&#8217;Adolphe Alphand peint par Alfred Roll en 1888<\/span><span data-path-to-node=\"8,6\">. Ce grand ing\u00e9nieur du XIXe si\u00e8cle doit \u00eatre \u00e9tonn\u00e9 de voir autant de monde d\u00e9filer aujourd&#8217;hui devant sa toile<\/span><span data-path-to-node=\"8,8\">. Car l&#8217;\u00e9dition 2024 \u00e9tait d\u00e9j\u00e0 un vrai succ\u00e8s. Un peu plus loin, l&#8217;ambiance change radicalement<\/span><span data-path-to-node=\"8,10\">. Le visiteur se retrouve face \u00e0 la silhouette troublante de \u00ab Seated Mole \u00bb (2026) par l\u2019artiste am\u00e9ricain Mark Jenkins<\/span><span data-path-to-node=\"8,12\">. Rappelons que \u00ab mole \u00bb signifie \u00ab taupe \u00bb en anglais. La t\u00eate de la sculpture est recouverte d&#8217;une capuche lui donnant pr\u00e9cis\u00e9ment une allure de taupe. Cette posture repli\u00e9e et l&#8217;absence apparente de regard suscitent imm\u00e9diatement un profond questionnement.<\/span><\/p>\n<blockquote>\n<p data-path-to-node=\"8\"><span data-path-to-node=\"10,16\">\u00ab l&#8217;art est une famille. Il s&#8217;agit de s&#8217;inscrire dans une continuit\u00e9 \u00bb Speedy Graphito<\/span><\/p>\n<\/blockquote>\n<figure id=\"attachment_9251\" aria-describedby=\"caption-attachment-9251\" style=\"width: 556px\" class=\"wp-caption alignright\"><img decoding=\"async\" class=\"size-full wp-image-9251\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/seth.png\" alt=\"Seth, &quot;La Biblioth\u00e8que&quot; (2026)\" width=\"556\" height=\"760\" srcset=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/seth.png 556w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/seth-219x300.png 219w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/seth-307x420.png 307w\" sizes=\"(max-width: 556px) 100vw, 556px\" \/><figcaption id=\"caption-attachment-9251\" class=\"wp-caption-text\">Seth, &#8220;La Biblioth\u00e8que&#8221; (2026)<\/figcaption><\/figure>\n<h3 data-path-to-node=\"9\">Une vari\u00e9t\u00e9 de cr\u00e9ations<\/h3>\n<p data-path-to-node=\"10\"><span data-path-to-node=\"10,0\">Sous le commissariat de <\/span>Mehdi Ben Cheikh, l<span data-path-to-node=\"10,0\">&#8216;exposition \u00ab WE ARE [still] HERE \u00bb frappe par la diversit\u00e9 des propositions artistiques<\/span><span data-path-to-node=\"10,2\">. Les styles se m\u00e9langent avec une grande fluidit\u00e9<\/span><span data-path-to-node=\"10,4\">. Le parcours m\u00e8ne ainsi du portrait de la berg\u00e8re revisit\u00e9 par Nilko \u00e0 la po\u00e9tique biblioth\u00e8que de Seth<\/span><span data-path-to-node=\"10,6\">. Parall\u00e8lement, l\u2019artiste Seth d\u00e9voile sa <i data-path-to-node=\"10,6\" data-index-in-node=\"43\">Marianne<\/i>, une installation temporaire visible sur la colonnade du Palais-Bourbon jusqu&#8217;\u00e0 la fin septembre. La suite de la visite au Petit Palais r\u00e9serve une s\u00e9rie de surprises<\/span><span data-path-to-node=\"10,8\">. Dans la Salle Concorde, un accrochage spectaculaire rassemble une centaine d\u2019\u0153uvres<\/span><span data-path-to-node=\"10,10\">. Les tableaux recouvrent les murs du sol au plafond<\/span><span data-path-to-node=\"10,12\">. Cette mise en sc\u00e8ne originale renoue avec la tradition historique des Salons du XIXe si\u00e8cle<\/span><span data-path-to-node=\"10,14\">.<\/span><\/p>\n<figure id=\"attachment_9252\" aria-describedby=\"caption-attachment-9252\" style=\"width: 1352px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\"size-full wp-image-9252\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/invader.png\" alt=\"Mosa\u00efque Invader 2026\" width=\"1352\" height=\"1162\" srcset=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/invader.png 1352w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/invader-300x258.png 300w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/invader-1024x880.png 1024w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/invader-768x660.png 768w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/invader-489x420.png 489w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/invader-696x598.png 696w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/06\/invader-1068x918.png 1068w\" sizes=\"(max-width: 1352px) 100vw, 1352px\" \/><figcaption id=\"caption-attachment-9252\" class=\"wp-caption-text\">Mosa\u00efque Invader 2026<\/figcaption><\/figure>\n<h2 data-path-to-node=\"11\">La traque aux mosa\u00efques d&#8217;Invader se poursuit au c\u0153ur du mus\u00e9e<\/h2>\n<p id=\"p-rc_902674c571af3730-50\" data-path-to-node=\"12\"><span data-path-to-node=\"12,0\">Les amateurs de street art vont adorer explorer les moindres recoins du monument<\/span><span data-path-to-node=\"12,2\">. L\u2019exposition met particuli\u00e8rement \u00e0 l&#8217;honneur la pr\u00e9sence de la star Invader<\/span><span data-path-to-node=\"12,4\">. L&#8217;artiste fran\u00e7ais marque le mus\u00e9e de son empreinte avec une dizaine de mosa\u00efques<\/span><span data-path-to-node=\"12,6\">. Ces cr\u00e9ations pixelis\u00e9es se glissent dans le d\u00e9cor classique<\/span><span data-path-to-node=\"12,8\">. Une surprise de taille attend les fans<\/span><span data-path-to-node=\"12,10\">. Parmi toutes ces \u0153uvres diss\u00e9min\u00e9es, l&#8217;une des mosa\u00efques est flashable avec l&#8217;application officielle<\/span><span data-path-to-node=\"12,12\">.<\/span><\/p>\n<p data-path-to-node=\"12\"><strong>INFOS PRATIQUES<\/strong><br \/>\n<span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">Petit Palais &#8211; Avenue Winston Churchill 75008 Paris\u00a0<\/span><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\"><br \/>\n<\/span><span style=\"font-family: Verdana, BlinkMacSystemFont, -apple-system, 'Segoe UI', Roboto, Oxygen, Ubuntu, Cantarell, 'Open Sans', 'Helvetica Neue', sans-serif;\">Du mardi au dimanche de 10h \u00e0 18h<br \/>\nEntr\u00e9e libre<br \/>\n<\/span>&gt; <a href=\"https:\/\/www.petitpalais.paris.fr\/expositions\/we-are-still-here\">petitpalais.paris.fr<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Petit Palais cr\u00e9e l&#8217;\u00e9v\u00e9nement cet \u00e9t\u00e9 \u00e0 Paris. Le mus\u00e9e des Beaux-Arts pr\u00e9sente l\u2019exposition gratuite \u00ab WE ARE [still] HERE \u00bb. Plus de 200 \u0153uvres d\u2019art urbain investissent les espaces. Un parcours \u00e9clectique attend les visiteurs jusqu\u2019au 20 septembre 2026. Un dialogue entre graffitis, street art et \u0153uvres classiques L\u2019exercice de faire dialoguer \u0153uvres [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9253,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1163],"tags":[1428,1222],"class_list":["post-9248","post","type-post","status-publish","format-standard","has-post-thumbnail","category-exposition","tag-invader","tag-street-art"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Petit Palais : 75 cr\u00e9ateurs d&#039;art urbain d\u00e9fient les ma\u00eetres - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"\u00ab WE ARE [still] HERE \u00bb au Petit Palais : 200 \u0153uvres d\u2019art urbain. 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