{"id":9261,"date":"2026-06-21T22:21:07","date_gmt":"2026-06-21T20:21:07","guid":{"rendered":"https:\/\/great-artmag.com\/?p=9261"},"modified":"2026-06-23T21:29:45","modified_gmt":"2026-06-23T19:29:45","slug":"festival-off-avignon-le-circuit-ordinaire","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/festival-off-avignon-le-circuit-ordinaire\/","title":{"rendered":"\u00ab Le Circuit ordinaire \u00bb, entre d\u00e9lation et d\u00e9lectation"},"content":{"rendered":"

Dans Le Circuit ordinaire<\/em>, Jean-Claude Carri\u00e8re signe une pi\u00e8ce de th\u00e9\u00e2tre d’une redoutable intelligence, o\u00f9 la tension s’installe jusqu’\u00e0 un retournement de situation amen\u00e9 avec subtilit\u00e9. \u00c0 ne pas manquer dans le cadre du Festival Off Avignon, du 3 au 25 juillet 2026.<\/strong><\/p>\n

\u00c9crite en 2002, cette pi\u00e8ce de Jean-Claude Carri\u00e8re (1931-2021) r\u00e9sonne avec une \u00e9tonnante actualit\u00e9. \u00c9crivain, dramaturge et sc\u00e9nariste parmi les plus importants du XXe si\u00e8cle, il a collabor\u00e9 pendant quatorze ans avec Luis Bu\u00f1uel et travaill\u00e9 avec Milos Forman ou Peter Brook. Il a re\u00e7u de nombreuses distinctions, dont un Oscar d’honneur en 2015 pour l’ensemble de sa carri\u00e8re.<\/p>\n

Le contexte : dans un bar ordinaire, un commissaire convoque un rapporteur. Une serveuse silencieuse observe. Tout semble simple. Pourtant, derri\u00e8re les mots \u00e9chang\u00e9s se cache une m\u00e9canique bien plus complexe, o\u00f9 chacun avance masqu\u00e9 et o\u00f9 la v\u00e9rit\u00e9 se d\u00e9robe jusqu’aux derni\u00e8res minutes.<\/p>\n

\"\"Le metteur en sc\u00e8ne Alexandre Tchobanoff n’est pas un inconnu. Form\u00e9 \u00e0 Sofia, Moscou, Milan aupr\u00e8s de Giorgio Strehler et \u00e0 Londres aupr\u00e8s de Richard Attenborough, il a sign\u00e9 plus de soixante mises en sc\u00e8ne \u00e0 travers le monde, de l’op\u00e9ra classique au th\u00e9\u00e2tre contemporain. Install\u00e9 \u00e0 Paris depuis la fin des ann\u00e9es 1980, il est reconnu pour la pr\u00e9cision de sa direction d’acteurs et pour des sc\u00e9nographies particuli\u00e8rement soign\u00e9es. La mise en sc\u00e8ne de Circuit ordinaire <\/em>exploite admirablement cette mont\u00e9e en puissance. Le huis clos respire gr\u00e2ce aux d\u00e9placements, aux silences et au regard \u00e9nigmatique de la serveuse. Le spectateur est pris dans cette toile invisible o\u00f9 le moindre geste para\u00eet charg\u00e9 de sens.<\/p>\n

Mais la r\u00e9ussite du spectacle repose avant tout sur ses interpr\u00e8tes.<\/p>\n

Yann Collette livre un Rapporteur inqui\u00e9tant. Son personnage revendique \u00eatre un \u00ab professionnel de la d\u00e9lation \u00bb. Il parle de son activit\u00e9 avec une forme de d\u00e9tachement presque amus\u00e9, comme s’il d\u00e9crivait un artisanat exigeant. Il faut, explique-t-il, \u00ab avoir le sens du timing \u00bb, savoir attendre le moment opportun, \u00ab faire tomber comme un fruit m\u00fbr \u00bb. Cette froideur m\u00e9thodique provoque autant le malaise que le sourire.<\/p>\n

Face \u00e0 lui, St\u00e9phane Bierry compose un Commissaire d’une grande pr\u00e9cision. Son jeu, tout en retenue, laisse progressivement appara\u00eetre les failles d’un homme qui croyait ma\u00eetriser la situation. Entre les deux acteurs, la confrontation est d’une grande intensit\u00e9. Les regards comptent autant que les r\u00e9pliques et les silences deviennent de v\u00e9ritables armes dramatiques.<\/p>\n

Prisca Lona, dans le r\u00f4le muet de la Serveuse, impose quant \u00e0 elle une pr\u00e9sence troublante. Sans un mot, elle observe, accompagne ou perturbe les \u00e9changes. Son personnage agit comme une conscience silencieuse, une \u00e9nigme qui plane sur toute la repr\u00e9sentation.<\/p>\n

Jean-Claude Carri\u00e8re aborde ici la d\u00e9lation sans manich\u00e9isme. Il montre combien elle peut s’inscrire dans l’ordinaire des relations humaines, port\u00e9e par l’opportunisme, la peur ou le d\u00e9sir de reconnaissance. Son \u00e9criture est fine, parfois cruelle, souvent dr\u00f4le. On sourit de voir ce d\u00e9lateur parler de sa mission avec le professionnalisme d’un ex\u00e9cutant consciencieux, avant de r\u00e9aliser que derri\u00e8re lui se profile une figure universelle : celle de Juda.<\/p>\n

\"\"Car c’est peut-\u00eatre cela, le v\u00e9ritable sujet du\u00a0Circuit ordinaire<\/em>. Cette part de faiblesse, de calcul ou de renoncement qui sommeille en chacun de nous. L’auteur ne juge pas. Il observe avec une ironie tendre et mordante la condition humaine, et c’est pr\u00e9cis\u00e9ment ce regard qui rend la pi\u00e8ce aussi actuelle qu’intemporelle.<\/p>\n

Informations pratiques<\/strong>
\nLE CIRCUIT ORDINAIRE<\/a>
\nDu 3 au 25 juillet – rel\u00e2che les 8, 15, 22 juillet
\nA 13h35 dur\u00e9e 1h15
\nTH\u00c9\u00c2TRE DU GIRASOLE : 24 bis, rue Guillaume Puy 84000 Avignon
\nTout public \u00e0 partir de 12 ans<\/p>\n","protected":false},"excerpt":{"rendered":"

Dans Le Circuit ordinaire, Jean-Claude Carri\u00e8re signe une pi\u00e8ce de th\u00e9\u00e2tre d’une redoutable intelligence, o\u00f9 la tension s’installe jusqu’\u00e0 un retournement de situation amen\u00e9 avec subtilit\u00e9. \u00c0 ne pas manquer dans le cadre du Festival Off Avignon, du 3 au 25 juillet 2026. \u00c9crite en 2002, cette pi\u00e8ce de Jean-Claude Carri\u00e8re (1931-2021) r\u00e9sonne avec une […]<\/p>\n","protected":false},"author":1,"featured_media":9262,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1334],"tags":[1492],"class_list":["post-9261","post","type-post","status-publish","format-standard","has-post-thumbnail","category-theatre-spectacles_vivants","tag-theatre"],"yoast_head":"\n\u00ab Le Circuit ordinaire \u00bb, entre d\u00e9lation et d\u00e9lectation - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"Le Circuit ordinaire de Jean-Claude Carri\u00e8re \u00e0 ne pas manquer dans le cadre du Festival Off Avignon, du 3 au 25 juillet 2026.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/festival-off-avignon-le-circuit-ordinaire\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00ab Le Circuit ordinaire \u00bb, entre d\u00e9lation et d\u00e9lectation - 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