{"id":9421,"date":"2026-07-04T18:28:02","date_gmt":"2026-07-04T16:28:02","guid":{"rendered":"https:\/\/great-artmag.com\/?p=9421"},"modified":"2026-07-04T20:18:01","modified_gmt":"2026-07-04T18:18:01","slug":"claudine-papillon-mes-annees-80","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/claudine-papillon-mes-annees-80\/","title":{"rendered":"Claudine Papillon c\u00e9l\u00e8bre quarante ans de fid\u00e9lit\u00e9 \u00e0 l’art avec \u00ab Mes ann\u00e9es 80 \u00bb"},"content":{"rendered":"

Rien n’est laiss\u00e9 au hasard dans cet accrochage lumineux, o\u00f9 pr\u00e8s de trente artistes composent un parcours coh\u00e9rent et profond\u00e9ment personnel. Au milieu des visiteurs venus partager ce moment, Claudine Papillon pose avec un sourire devant une \u0153uvre d’Hreinn Fridfinnsson, l’un des artistes qui ont marqu\u00e9 son parcours de galeriste. L’image r\u00e9sume \u00e0 elle seule l’esprit de \u00ab Mes ann\u00e9es 80 \u00bb, pr\u00e9sent\u00e9e du 4 juillet au 26 septembre 2026 : une exposition o\u00f9 l’art se nourrit avant tout de fid\u00e9lit\u00e9, d’amiti\u00e9 et de libert\u00e9.<\/strong><\/p>\n

\"Claudine
Claudine Papillon devant l’oeuvre de Hreinn Fridfinnsson, “Geometric Composition With a Helping Hand” (1990)<\/figcaption><\/figure>\n

La rencontre avec Hreinn Fridfinnsson<\/h3>\n

La pr\u00e9sence d’Hreinn Fridfinnsson occupe une place singuli\u00e8re \u00e0 l’\u00e9tage. Claudine Papillon d\u00e9couvre l’artiste islandais en 1977 lors d’une exposition au Centre Pompidou consacr\u00e9e \u00e0 quatre jeunes cr\u00e9ateurs venus d’Islande : Ben Sveinsson, Hreinn Fridfinnsson, Kristjan Gudmundsson et Sigurdur Gudmundsson. Photographies, textes et exp\u00e9rimentations conceptuelles composent alors un univers in\u00e9dit qui la marque durablement. \u00ab Fridfinnsson est un artiste islandais qui est mort en 2024, mais avec lequel j’ai collabor\u00e9 pendant 40 ans environ et qui a commenc\u00e9 avec la photographie et des textes \u00bb, confie-t-elle. Ces artistes partageaient une m\u00eame attention port\u00e9e \u00e0 la nature, aux gestes les plus simples et aux myst\u00e8res du quotidien. Leur humour discret d\u00e9tournait les grandes questions philosophiques pour mieux r\u00e9v\u00e9ler une po\u00e9sie universelle.<\/p>\n

\"Rapha\u00eblle
Rapha\u00eblle P\u00e9ria, “Des lumi\u00e8res qui rendent aveugle” (2024) – grattage sur photographie<\/figcaption><\/figure>\n

Un accrochage construit comme une conversation<\/h3>\n

L’exposition \u00ab Mes ann\u00e9es 80 \u00bb restitue parfaitement l’identit\u00e9 de la galerie. Les \u0153uvres se r\u00e9pondent avec d\u00e9licatesse dans un parcours o\u00f9 les mati\u00e8res, les formes et les id\u00e9es cr\u00e9ent un dialogue permanent. Une \u00e9tag\u00e8re en pl\u00e2tre de Gr\u00e9goire Bergeret rappelle naturellement certaines \u0153uvres embl\u00e9matiques de Fridfinnsson. On ne peut rien y poser de lourd car trop fragile. \u00ab Et \u00e7a, c’est tr\u00e8s proche de Fridfinnsson, par exemple, dans l’esprit de la galerie, parce que Hreinn, il avait fait des \u00e9tag\u00e8res pour la poussi\u00e8re, des \u00e9tag\u00e8res pour la lumi\u00e8re \u00bb, explique Claudine Papillon. Cette proximit\u00e9 entre les artistes donne \u00e0 l’ensemble une impression d’\u00e9vidence. Rien n’est d\u00e9monstratif ; chaque pi\u00e8ce trouve son \u00e9quilibre avec les autres dans une atmosph\u00e8re conviviale o\u00f9 les visiteurs prennent le temps d’\u00e9changer et de red\u00e9couvrir des \u0153uvres parfois historiques.<\/p>\n

\"\"<\/a>Le souvenir toujours vivant d’Erik Dietman<\/h3>\n

L’exposition est \u00e9galement travers\u00e9e par la m\u00e9moire d’Erik Dietman, compagnon de vie de Claudine Papillon et figure majeure de l’histoire de la galerie. Leur rencontre marque un tournant d\u00e9cisif. En 1978, leur relation prend une dimension \u00e0 la fois intime et professionnelle. Ils choisissent de construire une vie commune, partageant pendant plus de vingt ans un quotidien fait de cr\u00e9ation et de projets.\u00a0Leur complicit\u00e9 d\u00e9passe largement le cadre priv\u00e9. Claudine Papillon accompagne le travail d’Erik Dietman avec une attention constante. Au c\u0153ur du parcours, la monumentale sculpture \u00c9loge de l’envie<\/em> (1995-2000), r\u00e9alis\u00e9e en bronze et enrichie de corbeaux naturalis\u00e9s, s’impose par sa puissance plastique et son humour teint\u00e9 de gravit\u00e9. Plusieurs dessins d’Erik Dietman en prolongent l’\u00e9vocation, r\u00e9v\u00e9lant la libert\u00e9 de son trait et la po\u00e9sie d\u00e9cal\u00e9e. Deux photographies d\u00e9dicac\u00e9es par Sigmar Polke \u00e0 Erik t\u00e9moignent \u00e9galement des amiti\u00e9s profondes qui unissaient ces deux artistes.<\/p>\n

\"Richard
Richard Fauguet, “Sans titre” (2021) – Pl\u00e2tre, coquilles d’hu\u00eetres, plastiline<\/figcaption><\/figure>\n

Une exposition guid\u00e9e par les coups de c\u0153ur<\/h3>\n

Pour r\u00e9unir cet ensemble, Claudine Papillon s’est laiss\u00e9e guider par ses affinit\u00e9s artistiques et humaines. Aux c\u00f4t\u00e9s des artistes repr\u00e9sent\u00e9s par la galerie figurent plusieurs invit\u00e9s pr\u00eat\u00e9s par des confr\u00e8res parisiens, parmi lesquels Gilles Barbier, Mathieu Mercier ou Pierre Ardouvin. Le triptyque de Richard Fauguet compos\u00e9 de coquilles d’hu\u00eetres illustre parfaitement cet esprit de libert\u00e9 qui traverse tout le parcours. \u00ab Ce sont vraiment des pi\u00e8ces que j’aime tout particuli\u00e8rement. Et apr\u00e8s, il n’y a pas que celles-l\u00e0, il fallait choisir aussi \u00bb, reconna\u00eet-elle. Au fil des salles, l’exposition r\u00e9v\u00e8le une collection de rencontres autant qu’une s\u00e9lection d’\u0153uvres. Chaque cr\u00e9ation raconte une complicit\u00e9 ou une aventure artistique partag\u00e9e.<\/p>\n

En d\u00e9finitive, l\u2019exposition \u00ab Mes ann\u00e9es 80 \u00bb \u00e0 la Galerie Papillon va bien au-del\u00e0 d\u2019un simple retour en images. Plus qu\u2019un clin d\u2019\u0153il \u00e0 une d\u00e9cennie devenue mythique ou qu\u2019une c\u00e9l\u00e9bration des 80 ans de Claudine Papillon, elle dessine le portrait sensible d\u2019une galeriste qui, depuis l\u2019ouverture de son premier espace en 1989, place les artistes et les relations humaines au c\u0153ur de son engagement. Dans l\u2019atmosph\u00e8re chaleureuse de la rue Chapon, port\u00e9e par plus de quarante ans de passion, de fid\u00e9lit\u00e9 et de complicit\u00e9s artistiques, la Galerie Papillon d\u00e9montre qu\u2019elle n\u2019a rien perdu de son audace. Fid\u00e8le \u00e0 son esprit pionnier, elle continue d\u2019\u00e9crire son histoire et laisse entrevoir de tr\u00e8s belles perspectives pour les ann\u00e9es \u00e0 venir.<\/p>\n

Mes ann\u00e9es 80 par Claudine Papillon<\/a> : Pierre Ardouvin, Gilles Barbier, Berdaguer&P\u00e9jus, Gr\u00e9goire Bergeret, Cathryn Boch, Anne Br\u00e9geaut, Ga\u00eblle Chotard, Michele Ciacciofera, C\u00e9line Cl\u00e9ron, Erik Dietman, Richard Fauguet, Luka Fineisen, Hreinn Fridfinnsson, Jo\u00ebl Kermarrec, Mehdi-Georges Lahlou, Charles Le Hyaric, Fr\u00e9d\u00e9rique Loutz, Mathieu Mercier, Javier P\u00e9rez, Rapha\u00eblle Peria, Sigmar Polke, Dieter Roth, JC Ruggirello, Elsa Sahal, Linda Sanchez, Didier Tr\u00e9net, Sabrina Vitali, VOID.<\/p>\n","protected":false},"excerpt":{"rendered":"

Rien n’est laiss\u00e9 au hasard dans cet accrochage lumineux, o\u00f9 pr\u00e8s de trente artistes composent un parcours coh\u00e9rent et profond\u00e9ment personnel. Au milieu des visiteurs venus partager ce moment, Claudine Papillon pose avec un sourire devant une \u0153uvre d’Hreinn Fridfinnsson, l’un des artistes qui ont marqu\u00e9 son parcours de galeriste. L’image r\u00e9sume \u00e0 elle seule […]<\/p>\n","protected":false},"author":1,"featured_media":9422,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1163],"tags":[],"class_list":["post-9421","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exposition"],"yoast_head":"\nClaudine Papillon c\u00e9l\u00e8bre quarante ans de fid\u00e9lit\u00e9 \u00e0 l'art avec \u00ab Mes ann\u00e9es 80 \u00bb - GREAT-ARTMAG<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/claudine-papillon-mes-annees-80\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Claudine Papillon c\u00e9l\u00e8bre quarante ans de fid\u00e9lit\u00e9 \u00e0 l'art avec \u00ab Mes ann\u00e9es 80 \u00bb - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"Rien n’est laiss\u00e9 au hasard dans cet accrochage lumineux, o\u00f9 pr\u00e8s de trente artistes composent un parcours coh\u00e9rent et profond\u00e9ment personnel. Au milieu des visiteurs venus partager ce moment, Claudine Papillon pose avec un sourire devant une \u0153uvre d’Hreinn Fridfinnsson, l’un des artistes qui ont marqu\u00e9 son parcours de galeriste. 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