{"id":9546,"date":"2026-07-27T16:41:04","date_gmt":"2026-07-27T14:41:04","guid":{"rendered":"https:\/\/great-artmag.com\/?p=9546"},"modified":"2026-07-27T17:43:18","modified_gmt":"2026-07-27T15:43:18","slug":"les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen","status":"publish","type":"post","link":"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/","title":{"rendered":"[\u00c9d. Paulsen] \u00ab Les \u00e9t\u00e9s de l&#8217;ourse \u00bb de Muriel Wylie Blanchet"},"content":{"rendered":"<p class=\"\" align=\"justify\"><strong>Oublions \u2013 une fois n\u2019est pas coutume \u2013 la solitude radicale des auteurs, souvent masculins, des classiques du <i class=\"\">nature writing<\/i>. Oublions aussi le d\u00e9nuement volontaire d\u2019un Thoreau ou l\u2019asc\u00e8se d\u2019un Sylvain Tesson. En publiant pour la premi\u00e8re fois en France <i class=\"\">Les \u00e9t\u00e9s de l&#8217;ourse<\/i> (<i class=\"\">The Curve of Time<\/i>), un si\u00e8cle tout juste apr\u00e8s les faits relat\u00e9s, les \u00e9ditions Paulsen nous r\u00e9jouissent une nouvelle fois. Place aux femmes et \u00e0 leur singuli\u00e8re vision du monde\u00a0! Sous la plume de Muriel Wylie Blanchet, on d\u00e9couvre un r\u00e9cit devenu depuis longtemps une r\u00e9f\u00e9rence Outre-Atlantique. La Canadienne invente ici un nouveau genre : l\u2019\u00e9pop\u00e9e vagabonde, un manifeste d\u2019\u00e9mancipation familiale \u00e9crit au c\u0153ur des fjords de la Colombie-Britannique. \u00c0 la barre du <i class=\"\">Caprice<\/i>, un canot de croisi\u00e8re c\u00f4ti\u00e8re en c\u00e8dre de sept m\u00e8tres de long \u00e0 peine, cette jeune femme n\u2019a pas h\u00e9sit\u00e9 \u00e0 embarquer ses cinq enfants pour quinze \u00e9t\u00e9s successifs d\u2019aventure dans un labyrinthe de milliers d&#8217;\u00eeles et de chenaux \u00e9troits bord\u00e9s par des montagnes \u00e0 pic. <i class=\"\">\u00ab\u00a0<\/i><i class=\"\">D\u2019o\u00f9 venez-vous\u00a0? O\u00f9 allez-vous\u00a0? J\u2019agitais vaguement la main. \u00ab\u00a0Oh, du sud\u00a0\u00bb, r\u00e9pondais-je \u00e9vasivement. Ou\u00a0: \u00ab\u00a0Ah, vers le nord-nulle part en particulier.\u00a0\u00bb<\/i><\/strong><\/p>\n<p class=\"\" align=\"justify\"><a href=\"https:\/\/www.editionspaulsen.com\/hors-collection\/894-les-etes-de-lourse.html?srsltid=AfmBOorQwI4XPjK1K7HRi5XMdJ6Z1cI8I8-ZEHqhF0Q-lWMnBPN-l-Ci\"><img decoding=\"async\" class=\" wp-image-9548 alignleft\" src=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/07\/les-etes-de-lourse.png\" alt=\"\" width=\"347\" height=\"496\" srcset=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/07\/les-etes-de-lourse.png 504w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/07\/les-etes-de-lourse-210x300.png 210w, https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/07\/les-etes-de-lourse-294x420.png 294w\" sizes=\"(max-width: 347px) 100vw, 347px\" \/><\/a>Issue de la bourgeoisie canadienne, Muriel Wylie Blanchet voit son destin basculer au printemps 1926. Devenue veuve <span class=\"\">\u00e0 35 ans <\/span><span class=\"\">apr\u00e8s la disparition de son mari en mer,<\/span> elle refuse de se confiner dans le deuil. Sportive, aventuri\u00e8re, t\u00e9m\u00e9raire, elle arme son fr\u00eale esquif d\u00e8s l&#8217;\u00e9t\u00e9 1927 et prend la mer. Son objectif ? Donner le go\u00fbt du risque et de l\u2019exploration \u00e0 toute sa petite tribu, alors \u00e2g\u00e9e de 3 \u00e0 14 ans. Ce qui s&#8217;annonce comme une robinsonnade estivale va devenir un rituel : pendant plus d\u2019une d\u00e9cennie, chaque \u00e9t\u00e9, la famille va s&#8217;enfoncer dans les fjords de la c\u00f4te Pacifique, naviguant entre les orques, les for\u00eats humides de c\u00e8dres et de m\u00e9l\u00e8zes, les falaises vertigineuses et les vestiges de villages indiens oubli\u00e9s.<\/p>\n<p class=\"\" align=\"justify\">Pour autant, Muriel Wylie Blanchet n\u2019a aucune intention de consigner un r\u00e9cit o\u00f9 l\u2019exploit le c\u00e9derait au sensationnalisme. Sa prose, d&#8217;une grande sobri\u00e9t\u00e9, est servie par la traduction de l\u2019\u00e9crivain naturaliste qu\u00e9b\u00e9cois Louis Hamelin. Celle-ci reste tr\u00e8s \u00e9loign\u00e9e de la grandiloquence du d\u00e9passement de soi. Elle ne flirte jamais non plus avec la nostalgie des souvenirs d&#8217;enfance. Ce que documente <i class=\"\">Les \u00e9t\u00e9s de l&#8217;ourse<\/i>, c&#8217;est la d\u00e9couverte de nouveaux rapports humains fa\u00e7onn\u00e9s par l&#8217;immensit\u00e9 et la rugosit\u00e9 des paysages. \u00c0 bord du <i class=\"\">Caprice<\/i>, la m\u00e8re devient capitaine, m\u00e9canicienne, cartographe, emportant ses enfants dans le sillage des grands explorateurs Juan de la Fuca ou George Vancouver dont elle conna\u00eet par c\u0153ur chaque relev\u00e9. L&#8217;autorit\u00e9 maternelle s&#8217;y dissout pour devenir une \u00e9cole de la vie : en transmettant \u00e0 sa prog\u00e9niture une autonomie radicale face aux \u00e9l\u00e9ments, Blanchet transforme ses enfants en compagnons de bord, coresponsables du destin commun. <i class=\"\">\u00ab Nous vivions et campions, explorions et nagions dans un petit royaume de notre invention\u00bb<\/i>, \u00e9crit-elle.<\/p>\n<p class=\"\" align=\"justify\">La force du r\u00e9cit r\u00e9side \u00e9galement dans la tension permanente entre le minuscule et le majuscule, le fr\u00eale habitacle et l\u2019immensit\u00e9 de la nature. On s\u2019\u00e9tonne de la promiscuit\u00e9 des corps qui doivent s\u2019entasser sous le pont pour dormir. Aucune place pour le superflu. Chacun n\u2019a droit qu\u2019\u00e0 son maillot de bain et une seule tenue de rechange, lav\u00e9e et s\u00e9ch\u00e9e au soleil quand celui-ci veut bien percer les brouillards ou le rideau des pluies diluviennes de cette c\u00f4te inhospitali\u00e8re. Pam, la chienne de la famille, est cantonn\u00e9e la nuit dans le you-you amarr\u00e9 au navire. Sentinelle attentive, elle alerte, souvent au p\u00e9ril de sa vie, sur la pr\u00e9sence d&#8217;ours noirs ou de cougars r\u00f4dant sur le rivage. Les enfants, marins aguerris \u00e0 force d\u2019exp\u00e9rience, participent tous \u00e0 la man\u0153uvre, apprenant \u00e0 d\u00e9coder le langage des mar\u00e9es, la violence des courants, la nature des baies sauvages, avant d&#8217;exploser de joie sous les cascades d&#8217;eau douce pour se laver du sel marin.<\/p>\n<p class=\"\" align=\"justify\">La pr\u00e9face de l\u2019\u00e9crivaine naturaliste Gabrielle Filteau-Chiba souligne avec justesse la modernit\u00e9 de cette voix pionni\u00e8re de l&#8217;\u00e9cof\u00e9minisme. En refusant de dompter la nature, en choisissant plut\u00f4t d&#8217;\u00e9pouser sa courbure et ses caprices, Blanchet signe un livre de grand large dont le souffle vient raviver en nous un irr\u00e9pressible besoin de libert\u00e9.<\/p>\n<p class=\"\" align=\"justify\">Aude Seyssel<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Oublions \u2013 une fois n\u2019est pas coutume \u2013 la solitude radicale des auteurs, souvent masculins, des classiques du nature writing. Oublions aussi le d\u00e9nuement volontaire d\u2019un Thoreau ou l\u2019asc\u00e8se d\u2019un Sylvain Tesson. En publiant pour la premi\u00e8re fois en France Les \u00e9t\u00e9s de l&#8217;ourse (The Curve of Time), un si\u00e8cle tout juste apr\u00e8s les faits [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":9547,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1167],"tags":[1490],"class_list":["post-9546","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-livre","tag-recit"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>[\u00c9d. Paulsen] \u00ab Les \u00e9t\u00e9s de l&#039;ourse \u00bb de Muriel Wylie Blanchet - GREAT-ARTMAG<\/title>\n<meta name=\"description\" content=\"Muriel Wylie Blanchet, &quot;les \u00e9t\u00e9s de l&#039;ourse&quot; est un manifeste d\u2019\u00e9mancipation familiale au c\u0153ur des fjords de la Colombie-Britannique.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[\u00c9d. Paulsen] \u00ab Les \u00e9t\u00e9s de l&#039;ourse \u00bb de Muriel Wylie Blanchet - GREAT-ARTMAG\" \/>\n<meta property=\"og:description\" content=\"Muriel Wylie Blanchet, &quot;les \u00e9t\u00e9s de l&#039;ourse&quot; est un manifeste d\u2019\u00e9mancipation familiale au c\u0153ur des fjords de la Colombie-Britannique.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/\" \/>\n<meta property=\"og:site_name\" content=\"GREAT-ARTMAG\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-27T14:41:04+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-07-27T15:43:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/07\/colombie-britannique.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1228\" \/>\n\t<meta property=\"og:image:height\" content=\"790\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Aude Seyssel\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Aude Seyssel\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\\\/\"},\"author\":{\"name\":\"Aude Seyssel\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#\\\/schema\\\/person\\\/631ff5587ce3a0b7471fab3e51138f54\"},\"headline\":\"[\u00c9d. Paulsen] \u00ab Les \u00e9t\u00e9s de l&#8217;ourse \u00bb de Muriel Wylie Blanchet\",\"datePublished\":\"2026-07-27T14:41:04+00:00\",\"dateModified\":\"2026-07-27T15:43:18+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\\\/\"},\"wordCount\":791,\"publisher\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/great-artmag.com\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/colombie-britannique.png\",\"keywords\":[\"r\u00e9cit\"],\"articleSection\":[\"LIVRES\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\\\/\",\"url\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\\\/\",\"name\":\"[\u00c9d. Paulsen] \u00ab Les \u00e9t\u00e9s de l'ourse \u00bb de Muriel Wylie Blanchet - GREAT-ARTMAG\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/great-artmag.com\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/colombie-britannique.png\",\"datePublished\":\"2026-07-27T14:41:04+00:00\",\"dateModified\":\"2026-07-27T15:43:18+00:00\",\"description\":\"Muriel Wylie Blanchet, \\\"les \u00e9t\u00e9s de l'ourse\\\" est un manifeste d\u2019\u00e9mancipation familiale au c\u0153ur des fjords de la Colombie-Britannique.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\\\/#primaryimage\",\"url\":\"https:\\\/\\\/great-artmag.com\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/colombie-britannique.png\",\"contentUrl\":\"https:\\\/\\\/great-artmag.com\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/colombie-britannique.png\",\"width\":1228,\"height\":790},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"[\u00c9d. Paulsen] \u00ab Les \u00e9t\u00e9s de l&rsquo;ourse \u00bb de Muriel Wylie Blanchet\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/\",\"name\":\"Great ArtMag\",\"description\":\"Le M\u00e9dia des H\u00e9donistes\",\"publisher\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#organization\",\"name\":\"GREAT ARTMAG\",\"url\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/great-artmag.com\\\/wp-content\\\/uploads\\\/2024\\\/07\\\/IMG_5403.jpg\",\"contentUrl\":\"https:\\\/\\\/great-artmag.com\\\/wp-content\\\/uploads\\\/2024\\\/07\\\/IMG_5403.jpg\",\"width\":860,\"height\":368,\"caption\":\"GREAT ARTMAG\"},\"image\":{\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.instagram.com\\\/great_artmag\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/#\\\/schema\\\/person\\\/631ff5587ce3a0b7471fab3e51138f54\",\"name\":\"Aude Seyssel\",\"url\":\"https:\\\/\\\/great-artmag.com\\\/en\\\/author\\\/aude-seyssel\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"[\u00c9d. Paulsen] \u00ab Les \u00e9t\u00e9s de l'ourse \u00bb de Muriel Wylie Blanchet - GREAT-ARTMAG","description":"Muriel Wylie Blanchet, \"les \u00e9t\u00e9s de l'ourse\" est un manifeste d\u2019\u00e9mancipation familiale au c\u0153ur des fjords de la Colombie-Britannique.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/","og_locale":"en_US","og_type":"article","og_title":"[\u00c9d. Paulsen] \u00ab Les \u00e9t\u00e9s de l'ourse \u00bb de Muriel Wylie Blanchet - GREAT-ARTMAG","og_description":"Muriel Wylie Blanchet, \"les \u00e9t\u00e9s de l'ourse\" est un manifeste d\u2019\u00e9mancipation familiale au c\u0153ur des fjords de la Colombie-Britannique.","og_url":"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/","og_site_name":"GREAT-ARTMAG","article_published_time":"2026-07-27T14:41:04+00:00","article_modified_time":"2026-07-27T15:43:18+00:00","og_image":[{"width":1228,"height":790,"url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/07\/colombie-britannique.png","type":"image\/png"}],"author":"Aude Seyssel","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Aude Seyssel","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/#article","isPartOf":{"@id":"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/"},"author":{"name":"Aude Seyssel","@id":"https:\/\/great-artmag.com\/en\/#\/schema\/person\/631ff5587ce3a0b7471fab3e51138f54"},"headline":"[\u00c9d. Paulsen] \u00ab Les \u00e9t\u00e9s de l&#8217;ourse \u00bb de Muriel Wylie Blanchet","datePublished":"2026-07-27T14:41:04+00:00","dateModified":"2026-07-27T15:43:18+00:00","mainEntityOfPage":{"@id":"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/"},"wordCount":791,"publisher":{"@id":"https:\/\/great-artmag.com\/en\/#organization"},"image":{"@id":"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/#primaryimage"},"thumbnailUrl":"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/07\/colombie-britannique.png","keywords":["r\u00e9cit"],"articleSection":["LIVRES"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/","url":"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/","name":"[\u00c9d. Paulsen] \u00ab Les \u00e9t\u00e9s de l'ourse \u00bb de Muriel Wylie Blanchet - GREAT-ARTMAG","isPartOf":{"@id":"https:\/\/great-artmag.com\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/#primaryimage"},"image":{"@id":"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/#primaryimage"},"thumbnailUrl":"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/07\/colombie-britannique.png","datePublished":"2026-07-27T14:41:04+00:00","dateModified":"2026-07-27T15:43:18+00:00","description":"Muriel Wylie Blanchet, \"les \u00e9t\u00e9s de l'ourse\" est un manifeste d\u2019\u00e9mancipation familiale au c\u0153ur des fjords de la Colombie-Britannique.","breadcrumb":{"@id":"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/#primaryimage","url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/07\/colombie-britannique.png","contentUrl":"https:\/\/great-artmag.com\/wp-content\/uploads\/2026\/07\/colombie-britannique.png","width":1228,"height":790},{"@type":"BreadcrumbList","@id":"https:\/\/great-artmag.com\/en\/les-etes-de-ourse-muriel-wylie-blanchet-ed-paulsen\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/great-artmag.com\/en\/"},{"@type":"ListItem","position":2,"name":"[\u00c9d. Paulsen] \u00ab Les \u00e9t\u00e9s de l&rsquo;ourse \u00bb de Muriel Wylie Blanchet"}]},{"@type":"WebSite","@id":"https:\/\/great-artmag.com\/en\/#website","url":"https:\/\/great-artmag.com\/en\/","name":"Great ArtMag","description":"Le M\u00e9dia des H\u00e9donistes","publisher":{"@id":"https:\/\/great-artmag.com\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/great-artmag.com\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/great-artmag.com\/en\/#organization","name":"GREAT ARTMAG","url":"https:\/\/great-artmag.com\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/great-artmag.com\/en\/#\/schema\/logo\/image\/","url":"https:\/\/great-artmag.com\/wp-content\/uploads\/2024\/07\/IMG_5403.jpg","contentUrl":"https:\/\/great-artmag.com\/wp-content\/uploads\/2024\/07\/IMG_5403.jpg","width":860,"height":368,"caption":"GREAT ARTMAG"},"image":{"@id":"https:\/\/great-artmag.com\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.instagram.com\/great_artmag"]},{"@type":"Person","@id":"https:\/\/great-artmag.com\/en\/#\/schema\/person\/631ff5587ce3a0b7471fab3e51138f54","name":"Aude Seyssel","url":"https:\/\/great-artmag.com\/en\/author\/aude-seyssel\/"}]}},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/posts\/9546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/comments?post=9546"}],"version-history":[{"count":2,"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/posts\/9546\/revisions"}],"predecessor-version":[{"id":9559,"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/posts\/9546\/revisions\/9559"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/media\/9547"}],"wp:attachment":[{"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/media?parent=9546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/categories?post=9546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/great-artmag.com\/en\/wp-json\/wp\/v2\/tags?post=9546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}